American prose literature; English prose literature; Narration (Rhetoric)
“I don’t remember about that,” replied Edward indifferently: “but
Bobby got packed off to school a whole year earlier than his people
meant to send him. Which was just what he wanted. So you see it all
came right in the end!”
I was trying to puzzle out the moral of this story--it was evidently
meant to contain one somewhere--when a flood of golden lamplight
mingled with the moon-rays on the lawn, and Aunt Maria and the new
curate strolled out on the grass below us, and took the direction of
a garden-seat which was backed by a dense laurel shrubbery reaching
round in a half-circle to the house. Edward meditated moodily. “If we
only knew what they were talking about,” said he, “you’d soon see
whether I was right or not. Look here! Let’s send the kid down by the
porch to reconnoitre!”
“Harold’s asleep,” I said; “it seems rather a shame----”
“O rot!” said my brother; “he’s the youngest, and he’s got to do as
he’s told!”
So the luckless Harold was hauled out of bed and given his
sailing-orders. He was naturally rather vexed at being stood up
suddenly on the cold floor, and the job had no particular interest
for him; but he was both staunch and well disciplined. The means of
exit were simple enough. A porch of iron trellis came up to within
easy reach of the window, and was habitually used by all three of
us, when modestly anxious to avoid public notice. Harold climbed
deftly down the porch like a white rat, and his night-gown glimmered
a moment on the gravel walk ere he was lost to sight in the darkness
of the shrubbery. A brief interval of silence ensued; broken suddenly
by a sound of scuffle, and then a shrill long-drawn squeal, as of
metallic surfaces in friction. Our scout had fallen into the hands of
the enemy!
Indolence alone had made us devolve the task of investigation on
our younger brother. Now that danger had declared itself, there
was no hesitation. In a second we were down the side of the porch,
and crawling Cherokee-wise through the laurels to the back of the
garden-seat. Piteous was the sight that greeted us. Aunt Maria was
on the seat, in a white evening frock, looking--for an aunt--really
quite nice. On the lawn stood an incensed curate, grasping our
small brother by a large ear, which--judging from the row he was
making--seemed on the point of parting company with the head it
completed and adorned. The gruesome noise he was emitting did not
really affect us otherwise than æsthetically. To one who has tried
both, the wail of genuine physical anguish is easily distinguishable
from the pumped-up _ad misericordiam_ blubber. Harold’s could clearly
be recognised as belonging to the latter class. “Now you young--”
(whelp, I think it was, but Edward stoutly maintains it was devil),
said the curate sternly; “tell us what you mean by it!”
“Well leggo of my ear then!” shrilled Harold, “and I’ll tell you the
solemn truth!”
“Very well,” agreed the curate, releasing him, “now go ahead, and
don’t lie more than you can help.”
Public-domain text, read in full here on John Shaqi.
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