American prose literature; English prose literature; Narration (Rhetoric)
We abode the promised disclosure without the least misgiving; but
even we had hardly given Harold due credit for his fertility of
resource and powers of imagination.
“I had just finished saying my prayers,” began the young gentleman
slowly, “when I happened to look out of the window, and on the lawn
I saw a sight which froze the marrow in my veins! A burglar was
approaching the house with snakelike tread! He had a scowl and a dark
lantern, and he was armed to the teeth!”
We listened with interest. The style, though unlike Harold’s native
notes, seemed strangely familiar.
“Go on,” said the curate grimly.
“Pausing in his stealthy career,” continued Harold, “he gave a low
whistle. Instantly the signal was responded to, and from the adjacent
shadows two more figures glided forth. The miscreants were both armed
to the teeth.”
“Excellent,” said the curate; “proceed.”
“The robber chief,” pursued Harold, warming to his work, “joined his
nefarious comrades, and conversed with them in silent tones. His
expression was truly ferocious, and I ought to have said that he was
armed to the t----”
“There, never mind his teeth,” interrupted the curate rudely;
“there’s too much jaw about you altogether. Hurry up and have done.”
“I was in a frightful funk,” continued the narrator, warily guarding
his ear with his hand, “but just then the drawing-room window opened,
and you and Aunt Maria came out--I mean emerged. The burglars
vanished silently into the laurels, with horrid implications!”
The curate looked slightly puzzled. The tale was well sustained, and
certainly circumstantial. After all, the boy might really have seen
something. How was the poor man to know--though the chaste and lofty
diction might have supplied a hint--that the whole yarn was a free
adaptation from the last Penny Dreadful lent us by the knife-and-boot
boy?
“Why did you not alarm the house?” he asked.
“’Cos I was afraid,” said Harold sweetly, “that p’raps they mightn’t
believe me!”
“But how did you get down here, you naughty little boy?” put in Aunt
Maria.
Harold was hard pressed--by his own flesh and blood, too!
At that moment Edward touched me on the shoulder and glided off
through the laurels. When some ten yards away he gave a low whistle.
I replied with another. The effect was magical. Aunt Maria started
up with a shriek. Harold gave one startled glance around, and then
fled like a hare, made straight for the back-door, burst in upon the
servants at supper, and buried himself in the broad bosom of the
cook, his special ally. The curate faced the laurels--hesitatingly.
But Aunt Maria flung herself on him. “O Mr. Hodgitts!” I heard her
cry, “you are brave! for my sake do not be rash!” He was not rash.
When I peeped out a second later, the coast was entirely clear.
Public-domain text, read in full here on John Shaqi.
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