American prose literature; English prose literature; Narration (Rhetoric)
Time was when no Oxford play was quite successful unless the
undergraduates assisted at its first night, though in a way very
different from that which the term denotes in France. The assistance
was of the kind so generously rendered in New York and Boston on the
evening of an athletic contest. Even to-day, just for tradition’s
sake, the undergraduates sometimes make a row. A lot of B. N. C.
men, as the clanny sons of Brazenose College call themselves, may
insist that an opera stop while the troupe listen to one of their
own excellent vocal performances; and I once saw a great sprinter,
not unknown to Yale men, rise from his seat, face the audience, and,
pointing with his thumb over his shoulder at the soubrette, announce
impressively, “Do you know, I rather _like_ that girl!” The show
is usually over just before eleven, and then occurs an amusing, if
unseemly, scramble to get back to college before the hour strikes.
A man who stays out after ten is fined threepence, after eleven the
fine is sixpence. When all is said, why shouldn’t one sprint for
threepence?
If you stay out of college after midnight, the dean makes a star
chamber offense of it, fines you a “quid” or two, and like as not
sends you down. This sounds a trifle worse than it is; for if you
must be away, your absence can usually be arranged for. If you find
yourself in the streets after twelve, you may rap on some friend’s
bedroom window and tell him of your plight through the iron grating.
He will then spend the first half of the night in your bed and wash
his hands in your bowl. With such evidence as this to support him,
the scout is not apt, if sufficiently retained, to report a suspected
absence. I have even known fellows to make their arrangements in
advance and spend the night in town; but the ruse has its dangers,
and the penalty is to be sent down for good and all.
It is owing to such regulations as these that life in the English
college has the name of being cloistral. Just how cloistral it is in
spirit no one can know who has not taken part in a rag in the quad;
and this is impossible to an outsider, for at midnight all visitors
are required to leave, under a heavy penalty to their host.
From _An American at Oxford_, by John Corbin. By
permission of and by arrangement with Houghton
Mifflin Company, the authorized publishers.
THE PEASANT BODO
EILEEN POWER
Public-domain text, read in full here on John Shaqi.
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