American prose literature; English prose literature; Narration (Rhetoric)
Let us go back and see what Bodo’s wife, Ermentrude, is doing. She
is busy too; it is the day on which the chicken-rent is due--a fat
pullet and five eggs in all. She leaves her second son, aged nine,
to look after the baby Hildegard and calls on one of the neighbours,
who has to go up to the big house too. The neighbour is a serf and
she has to take the steward a piece of woollen cloth, which will be
sent away to St. Germain to make a habit for a monk. Her husband
is working all day in the lord’s vineyards, for on this estate
the serfs generally tend the vines, while the freemen do most of
the ploughing. Ermentrude and the serf’s wife go together up to
the house. There all is busy. In the men’s workshop are several
clever workmen--a shoemaker, a carpenter, a blacksmith, and two
silversmiths; there are not more, because the best artisans on the
estates of St. Germain live by the walls of the abbey, so that they
can work for the monks on the spot and save the labour of carriage.
But there were always some craftsmen on every estate, either attached
as serfs to the big house, or living on manses of their own, and
good landowners tried to have as many clever craftsmen as possible.
Charlemagne ordered his stewards each to have in his district “good
workmen, namely, blacksmiths, goldsmiths, silversmiths, shoemakers,
turners, carpenters, swordsmakers, fishermen, foilers, soapmakers,
men who knew how to make beer, cider, perry and all other kinds of
beverages, bakers to make pasty for our table, netmakers who know how
to make nets for hunting, fishing and fowling, and others too many to
be named.” And some of these workmen are to be found working for the
monks in the estate of Villaris.
Public-domain text, read in full here on John Shaqi.
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