American prose literature; English prose literature; Narration (Rhetoric)
Just then a distant whistle sounded, and there was a shuffling of
feet on the platform. A number of lanky boys, of all ages, appeared
as suddenly and slimily as eels wakened by the crack of thunder; some
came from the waiting-room, where they had been warming themselves by
the red stove, or half asleep on the slat benches; others uncoiled
themselves from baggage trucks or slid out of express wagons. Two
clambered down from the driver’s seat of a hearse that stood backed
up against the siding. They straightened their stooping shoulders
and lifted their heads, and a flash of momentary animation kindled
their dull eyes at that cold, vibrant scream, the world-wide call for
men. It stirred them like the note of a trumpet; just as it had often
stirred the man who was coming home tonight, in his boyhood.
The night express shot, red as a rocket, from out the eastward
marsh lands and wound along the river shore under the long lines of
shivering poplars that sentinelled the meadows, the escaping steam
hanging in grey masses against the pale sky and blotting out the
Milky Way. In a moment the red glare from the headlight streamed up
the snow-covered track before the siding and glittered on the wet,
black rails. The burly man with the dishevelled red beard walked
swiftly up the platform toward the approaching train, uncovering his
head as he went. The group of men behind him hesitated, glanced
questioningly at one another, and awkwardly followed his example. The
train stopped, and the crowd shuffled up to the express car just as
the door was thrown open, the man in the G. A. R. suit thrusting his
head forward with curiosity. The express messenger appeared in the
doorway, accompanied by a young man in a long ulster and travelling
cap.
“Are Mr. Merrick’s friends here?” inquired the young man.
The group on the platform swayed uneasily. Philip Phelps, the banker,
responded with dignity: “We have come to take charge of the body. Mr.
Merrick’s father is very feeble and can’t be about.”
“Send the agent out here,” growled the express messenger, “and tell
the operator to lend a hand.”
The coffin was got out of its rough-box and down on the snowy
platform. The townspeople drew back enough to make room for it and
then formed a close semicircle about it, looking curiously at the
palm leaf which lay across the black cover. No one said anything. The
baggage man stood by his truck, waiting to get at the trunks. The
engine panted heavily, and the fireman dodged in and out among the
wheels with his yellow torch and long oil-can, snapping the spindle
boxes. The young Bostonian, one of the dead sculptor’s pupils who had
come with the body, looked about him helplessly. He turned to the
banker, the only one of that black uneasy, stoop-shouldered group who
seemed enough of an individual to be addressed.
“None of Mr. Merrick’s brothers are here?” he asked uncertainly.
Public-domain text, read in full here on John Shaqi.
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