American prose literature; English prose literature; Narration (Rhetoric)
The man with the red beard for the first time stepped up and joined
the others. “No, they have not come yet; the family is scattered.
The body will be taken directly to the house.” He stooped and took
hold of one of the handles of the coffin.
“Take the long hill road up, Thompson, it will be easier on the
horses,” called the liveryman as the undertaker snapped the door of
the hearse and prepared to mount to the driver’s seat.
Laird, the red-bearded lawyer, turned again to the stranger: “We
didn’t know whether there would be any one with him or not,” he
explained. “It’s a long walk, so you’d better go up in the hack.” He
pointed to a single battered conveyance, but the young man replied
stiffly: “Thank you, but I think I will go up with the hearse. If you
don’t object,” turning to the undertaker, “I’ll ride with you.”
They clambered up over the wheels and drove off in the starlight up
the long, white hill toward the town. The lamps in the still village
were shining from under the low, snow-burdened roofs; and beyond, on
every side, the plains reached out into emptiness, peaceful and wide
as the soft sky itself, and wrapped in a tangible, white silence.
When the hearse backed up to a wooden sidewalk before a naked,
weather-beaten frame house, the same composite, ill-defined group
that had stood upon the station siding was huddled about the gate.
The front yard was an icy swamp, and a couple of warped planks,
extending from the sidewalk to the door, made a sort of rickety
foot-bridge. The gate hung on one hinge, and was opened wide with
difficulty. Steavens, the young stranger, noticed that something
black was tied to the knob of the front door.
The grating sound made by the casket, as it was drawn from the
hearse, was answered by a scream from the house; the front door was
wrenched open, and a tall, corpulent woman rushed out bareheaded into
the snow and flung herself upon the coffin, shrieking: “My boy, my
boy! And this is how you’ve come home to me!”
As Steavens turned away and closed his eyes with a shudder of
unutterable repulsion, another woman, also tall, but flat and
angular, dressed entirely in black, darted out of the house and
caught Mrs. Merrick by the shoulders, crying sharply: “Come, come,
mother; you mustn’t go on like this!” Her tone changed to one of
obsequious solemnity as she turned to the banker: “The parlour is
ready, Mr. Phelps.”
Public-domain text, read in full here on John Shaqi.
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