American prose literature; English prose literature; Narration (Rhetoric)
The man was red as his beard, with features swollen and blurred by
dissipation, and a hot, blazing blue eye. His face was strained--that
of a man who is controlling himself with difficulty--and he kept
plucking at his beard with a sort of fierce resentment. Steavens,
sitting by the window, watched him turn down the glaring lamp, still
its jangling pendants with an angry gesture, and then stand with
his hands locked behind him, staring down into the master’s face.
He could not help wondering what link there had been between the
porcelain vessel and so sooty a lump of potter’s clay.
From the kitchen an uproar was sounding; when the dining-room door
opened, the import of it was clear. The mother was abusing the maid
for having forgotten to make the dressing for the chicken salad which
had been prepared for the watchers. Steavens had never heard anything
in the least like it; it was injured, emotional, dramatic abuse,
unique and masterly in its excruciating cruelty, as violent and
unrestrained as had been her grief of twenty minutes before. With a
shudder of disgust the lawyer went into the dining-room and closed
the door into the kitchen.
“Poor Roxy’s getting it now,” he remarked when he came back. “The
Merricks took her out of the poor-house years ago; and if her loyalty
would let her, I guess the poor old thing would tell tales that would
curdle your blood. She’s the mulatto woman who was standing in here a
while ago, with her apron to her eyes. The old woman is a fury; there
never was anybody like her. She made Harvey’s life a hell for him
when he lived at home; he was so sick ashamed of it. I never could
see how he kept himself sweet.”
“He was wonderful,” said Steavens slowly, “wonderful; but until
tonight I have never known how wonderful.”
“That is the eternal wonder of it, anyway; that it can come even from
such a dung heap as this,” the lawyer cried, with a sweeping gesture
which seemed to indicate much more than the four walls within which
they stood.
“I think I’ll see whether I can get a little air. The room is so
close I am beginning to feel rather faint,” murmured Steavens,
struggling with one of the windows. The sash was stuck, however, and
would not yield, so he sat down dejectedly and began pulling at his
collar. The lawyer came over, loosened the sash with one blow of his
red fist and sent the window up a few inches. Steavens thanked him,
but the nausea which had been gradually climbing into his throat for
the last half hour left him with but one desire--a desperate feeling
that he must get away from this place with what was left of Harvey
Merrick. Oh, he comprehended well enough now the quiet bitterness of
the smile that he had seen so often on his master’s lips!
Public-domain text, read in full here on John Shaqi.
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