American prose literature; English prose literature; Narration (Rhetoric)
In the east a faint light had been slowly growing. It had not seemed
to affect the darkness, yet in some manner indeterminate gray objects
grew into visibility. The reed-grown banks of the channel through
which they were poling began to be dimly perceptible: there was a
glint on the water of tiny ponds to right and left: an horizon was
defined. This half-light increased. The ponds and waterways became
almost plain. One found himself in a world of multiplying details.
And from all about came splashings, quackings, the roar of rising
wings, the overhead whistle of departing wings. It seemed incredible
that one could not see their owners, they were so loud and so near,
and the light was by contrast with the draining night so strong.
Freeman, in spite of his determination to be miserable, felt the
stirrings of a faint excitement.
The boat turned into a pond. Cousin Jim dropped overboard one by one
his wooden ducks, then rushed the craft into the reeds. He busied
himself with the latter for a moment; upturned a box to sit on.
“Load your gun,” he instructed Freeman in a low voice. “We’re just
about in time.”
There ensued a period of waiting while the light grew. In that
period Freeman’s miseries returned on him. His watch told him it
was six o’clock: his body told him it was even colder than he had
thought; his anticipation showed him an interminable vista of minutes
to be passed one by one. He was entirely encased within his own shell.
Something sudden dragged him out. He had a startling impression of
the whistling rush of something swift in the air, of a bulk rising,
of two shattering impacts. The fact was a flock of ducks had come in
to the decoys; Cousin Jim had got to his feet; and had shot twice.
Now as he was opening the breech of his gun he spoke in his ordinary
voice.
“Why didn’t you shoot?” he was asking.
Freeman could not very well tell the whole truth and say he had not
shot because he had been suffering so cruelly. So he muttered a
half-truth about not having seen them. But the incident caused him
again to look outside himself.
He saw that the daylight had flooded the world: that the marsh
stretched away interminably brown; that the sky was gray streaked
with slate: that the little pond was ruffled by skurrying cats-paws
and that the wooden ducks were bobbing solemnly at the ends of
their lines. Then Cousin Jim produced a queer instrument of wood
and nickle, a little bigger than a cigar, and began to talk duck on
it. Freeman could see nothing, but from somewhere came a whistle of
wings, which died away. After a moment Cousin Jim stopped talking
duck and turned his face to Freeman.
“Mallards,” he said. “They’re wise old birds. You must have moved
your head when they were circling right above us. You’ve got to hold
absolutely rigid until they turn in over the decoys.”
Public-domain text, read in full here on John Shaqi.
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