The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
Such is the banian-tree, the pride of Hindustan: which Milton refers
to as the one which served "our general mother" for her first essay in
the art of needlework.
"Both together went
Into the thickest wood; there soon they chose
The fig-tree; not that tree for fruit renown'd,
But such as at this day, to Indians known,
In Malabar or Deccan spreads her arms,
Branching so broad and long, that in the ground
The bended twigs take root, and daughters grow
About the mother tree, a pillar'd shade
High overarch'd, and echoing walks between:
There oft the Indian herdsman, shunning heat,
Shelters in cool, and tends his pasturing herds
At loopholes cut through thickest shade: Those leaves
They gather'd, broad as Amazonian targe;
And, with what skill they had, together sew'd,
To gird their waist."
Some of the most interesting incidents in Holy Writ turn on the
occupation of needlework; slight sketches, nay, hardly so much, but
mere touches which engage all the gentler, and purer, and holier
emotions of our nature. For instance: the beloved child of the
beautiful mother of Israel, for whom Jacob toiled fourteen years,
which were but as one day for the love he bare her--this child, so
eagerly coveted by his mother, so devotedly loved by his father, and
who was destined hereafter to wield the destinies of such a mighty
empire--had a token, a peculiar token, bestowed on him of his father's
overwhelming love and affection. And what was it? "A coat of many
colours;" probably including some not in general use, and obtained by
an elaborate process. Entering himself into the minutiae of a concern,
which, however insignificant in itself, was valuable in his eyes as
giving pleasure to his boy, the fond father selects pieces of
various-coloured cloth, and sets female hands, the most expert of his
household, to join them together in the form of a coat.
But, alas! to whom should he intrust the task? She whose fingers
would have revelled in it, Rachel the mother, was no more; her warm
heart was cold, her busy fingers rested in the tomb. Would his sister,
would Dinah execute the work? No; it was but too probable that she
shared in the jealousy of her brothers. No matter. The father
apportions the task to his handmaidens, and himself superintends the
performance. With pleased eye he watches its progress, and with
benignant smile he invests the happy and gratified child with the
glowing raiment.
Public-domain text, read in full here on John Shaqi.
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