The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
A reverend critic thus remarks on the luxurious modes of his time:
"These tender Parnels must have one gown for the day, another for the
night; one long, another short; one for winter, another for summer.
One furred through, another but faced; one for the workday, another
for the holiday. One of this colour, another of that. One of cloth,
another of silk or damask. Change of apparel; one afore dinner,
another at after: one of Spanish fashion, another of Turkey. And to be
brief, never content with enough, but always devising new fashions and
strange. Yea, a ruffian will have more in his ruff and his hose than
he should spend in a year. He which ought to go in a russet coat
spends as much on apparel for him and his wife as his father would
have kept a good house with."
The following is of later date, and seems, somewhat unjustly we think,
to satirize the fair sex alone.
"Why do women array themselves in such fantastical dresses and quaint
devices; with gold, with silver, with coronets, with pendants,
bracelets, earrings, chains, rings, pins, spangles, embroideries,
shadows, rebatoes, versicoloured ribbons, feathers, fans, masks, furs,
laces, tiffanies, ruffs, falls, calls, cuffs, damasks, velvets,
tassels, golden cloth, silver tissue, precious stones, stars,
flowers, birds, beasts, fishes, crisped locks, wigs, painted faces,
bodkins, setting sticks, cork, whalebone, sweet odours, and whatever
else Africa, Asia, and America can produce; flaying their faces to
produce the fresher complexion of a new skin, and using more time in
dressing than Caesar took in marshalling his army,--but that, like
cunning falconers, they wish to spread false lures to catch unwary
larks, and lead by their gaudy baits and dazzling charms the minds of
inexperienced youth into the traps of love?"
Though the costume of Elizabeth's day, especially at the period of her
coronation was, splendid, it had not attained to the ridiculous
extravagance which at a later period elicited the above-quoted
strictures; and we are told that her own taste at an early period of
life was simple and unostentatious. Her dress and appearance are thus
described by Aylmer, Lady Jane Grey's tutor, and afterwards Bishop of
London.
Public-domain text, read in full here on John Shaqi.
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