The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries — John Shaqi
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
Enobarbus.--Her gentlewomen, like the Nereides,
So many mermaids, tended her i' the eyes,
And made their bends adornings; at the helm
A seeming mermaid steers; the silken tackle
Swell with the touches of those flower-soft hands,
That yarely frame the office. From the barge
A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out upon her; and Antony,
Bethroned in the market-place, did sit alone,
Whistling to the air; which, but for vacancy,
Had gone to gaze on Cleopatra too,
And made a gap in nature.
It is said that the silver oars, "which to the tune of flutes kept
stroke," were pierced with holes of different sizes, so mechanically
contrived, that the water, as it flowed through them at every stroke,
produced a harmony in concord with that of the flutes and lyres on
board.
Such a description as the foregoing gives a more vivid idea than any
grave declaration, of the elegant luxury of the Egyptians.
It were easy to collect instances from the Bible in which mention is
made of Egyptian embroidery, but one verse (Ezek. xxvii. 7), when the
prophet is addressing the Tyrians, specifically points to the subject
on which we are speaking: "Fine linen, with broidered work from Egypt,
was that which thou spreadest forth to be thy sail," &c.
A common but beautiful style of embroidery was to draw out entirely
the threads of linen which formed the weft, and to re-form the body of
the material, and vary its appearance, by working in various stitches
and with different colours on the warp alone.
Chairs and fauteuils of the most elegant form, made of ebony and other
rare woods, inlaid with ivory, were in common use amongst the ancient
Egyptians. These were covered, as is the fashion in the present day,
with every variety of rich stuff, stamped leather, &c.: but many were
likewise embroidered with different coloured wools, with silk and gold
thread. The couches too, which in the daytime had a rich covering
substituted for the night bedding, gave ample scope for the display of
the inventive genius and persevering industry of the busy-fingered
Egyptian ladies.
Public-domain text, read in full here on John Shaqi.
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