The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
[10] Muratori (Diss. 25), speaking of the mean habiliments usual in
Italy even so late as the 13th century, adds, "Ma non per questo
s'hanno a credere cosi rozzi e nemici del Lusso que' Secoli. A buon
conto anche in Italia qui non era cieco, sovente potea mirare i piu
delicati lavori di Seta, che _servivano di ornamenti alle Chiese e
alle sacre funzioni_."
CHAPTER VII.
NEEDLEWORK OF THE DARK AGES.
"Last night I dreamt a dream; behold!
I saw a church was fret with gold,
With arras richly dight:
There saw I altar, pall, and pix,
Chalice, and font, and crucifix,
And tapers burning bright."
W. S. Rose.
Over those memorials of the past which chance and mischance have left
us, time hath drawn a thick curtain, obliterating all soft and gentle
touches, which connected harmoniously the bolder features of the
landscape, and leaving these but as landmarks to intimate what had
been there. We would fain linger on those times, and call up the
gentle spirits of the long departed to describe scenes of quiet but
useful retirement at which we now only dimly guess. We would witness
the hour of recreation in the convent, when the severer duties of the
cloister gave place to the cheerful one of companionship; and the
"pale votary" quitted the lonely cell and the solitary vigil, to
instruct the blooming novice in the art of embroidery, or to ply her
own accustomed and accomplished fingers in its fairy creations. The
younger ones would be ecstatic in their commendations, and eager in
their exertions to rival the fair sempstress; whilst a gratified
though sad smile would brighten her own pale cheek as the lady abbess
laid aside the richly illuminated volume by which her own attention
had been engrossed, and from which she had from time to time read
short and instructive passages aloud, commenting on and enforcing the
principles they inculcated; and holding the work towards the casement,
so that the bright slanting rays of the setting sun which fell through
the richly carved lattice might illumine the varied tints of the
stitchery, she would utter some kind and encouraging words of
admiration and praise.
Public-domain text, read in full here on John Shaqi.
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