The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
"With their names
No bard embalms and sanctifies his song:
And history, so warm on meaner themes,
Is cold on this."
"Noi" (says Muratori) "che ammiriamo, e con ragione, la belta e
varieta di tante drapperie dei nostri tempi, abbiam nondimeno da
confessare un obbligo non lieve agli antichi, che ci hanno prima
spianata la via, e senza i lumi loro non potremmo oggidi vantare un si
gran progresso nell'Arti."
And that this was the case a few instances may suffice to show; and it
may not be quite out of place here to refer to one out of a thousand
articles of value and beauty which were lost in the great
conflagration ("which so cruelly laid waste the habitations of the
servants of God") of the doomed and often suffering, but always
magnificent, Croyland Abbey. It was "that beautiful and costly sphere,
most curiously constructed of different metals, according to the
different planets. Saturn was of copper, Jupiter of gold, Mars of
iron, the Sun of brass, Mercury of amber, Venus of tin, and the Moon
of silver: the colours of all the signs of the Zodiac had their
several figures and colours variously finished, and adorned with such
a mixture of precious stones and metals as amused the eye, while it
informed the mind of every beholder. Such another sphere was not known
or heard of in England; and it was a present from the King of France."
No insignificant proof this of the mechanical skill of the eleventh
century.
We are told that Pope Eutychianus, who lived in the reign of the
Emperor Aurelian, buried in different places 342 martyrs with his own
hands; and he ordained that a faithful martyr should on no account be
interred without a dalmatic robe or a purple colobio. This is perhaps
one of the earliest notices of ecclesiastical pomp or pride in
vestments. But some forty years afterwards Pope Silvester was
invested by the hands of his attendants with a Phrygian robe of snowy
white, on which was traced in sparkling threads by busy female hands
the resurrection of our Lord; and so magnificent was this garment
considered that it was ordained to be worn by his successors on state
occasions: and to pass at once to the seventh century, there are
records of various church hangings which had become injured by old age
being carefully repaired at considerable expense; which expense and
trouble would not, we may fairly infer, have been incurred if the
articles in question, even at this more advanced period, had not been
considered of value and of beauty.
Public-domain text, read in full here on John Shaqi.
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