The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
We will conclude the present chapter by remarking that one of the most
magnificent specimens of ancient needlework in existence, and which is
in excellent preservation, is the State Pall belonging to the
Fishmongers Company. The end pieces are similar, and consist of a
picture, wrought in gold and silk, of the patron, St. Peter, in
pontificial robes, seated on a superb throne, and crowned with the
papal tiara. Holding in one hand the keys, the other is in the posture
of giving the benediction, and on each side is an angel, bearing a
golden vase, from which he scatters incense over the Saint. The
angel's wings, according to old custom, are composed of peacocks'
feathers in all their natural vivid colours; their outer robes are
gold raised with crimson; their under vests white, shaded with sky
blue; the faces are finely worked in satin, after nature, and they
have long yellow hair.
There are various designs on the side pieces; the most important and
conspicuous is Christ delivering the keys to Peter. Among other
decorations are, of course, the arms of the company, richly
emblazoned, the supporters of which, the merman and mermaid, are
beautifully worked, the merman in gold armour, the mermaid in white
silk, with long tresses in golden thread.
This magnificent piece of needlework has probably no parallel in this
country.
FOOTNOTES:
[11] When Robert, Abbot of St. Alban's, visited his countryman Pope
Adrian the Fourth, he made him several valuable presents, and amongst
other things three mitres and a pair of sandals of most admirable
workmanship. His holiness refused his other presents, but thankfully
accepted of the mitres and sandals, being charmed with their exquisite
beauty. These admired pieces of embroidery were the work of Christina,
Abbess of Markgate.
[12] "Anglicae nationis feminae multum acu et auri textura, egregie viri
in omni valeant artificio. Pero fu renomato Opus Anglicum."--From
Muratori.
[13] A florene is 4_s._ 6_d._
[14] "The pall was a bishop's vestment, going over the shoulders, made
of sheep-skin, in memory of him who sought the lost sheep, and when he
had found it laid it on his shoulders; and it was embroidered with
crosses, and taken off the body or coffin of St. Peter."--Camden.
[15] Anastasius Bibliothecarius. De Vitis Romanorum Pontificum.
As this work is the fountain whence subsequent writers have chiefly
obtained their information with regard to church vestments, that is to
say, decorative ones, it may not be amiss to transcribe a passage,
taken literally at random from scores of similar ones. It will give
the reader some idea of the profusion with which the expensive
garnitures were supplied:--
Public-domain text, read in full here on John Shaqi.
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