The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
1607. "It was a difficult matter to agree upon a price with these
celebrated Flemish tapestry workers, which we had brought into France
at so great an expense. At length it was resolved in the presence of
Sillery and me, that a 100,000_l._ should be given them for their
establishment. Henry was very solicitous about the payment of this
sum; 'Having,' said he, 'a great desire to keep them, and not to lose
the advances we have made.' He would have been better pleased if these
people could have been paid out of some other funds than those which
he had reserved for himself: however, there was a necessity for
satisfying them at any price whatever. His Majesty made use of his
authority to oblige De Vienne to sign an acquittal to the undertakers
for linen cloth in imitation of Dutch Holland. This prince ordered a
complete set of furniture to be made for him, which he sent for me to
examine separately, to know if they had not imposed upon him. _These
things were not at all in my taste_, and I was but a very indifferent
judge of them: the price seemed to me to be excessive, as well as the
quantity. Henry was of another opinion: after examining the work, and
reading my paper, he wrote to me that there was not too much, and that
they had not exceeded his orders; and that he had never seen so
beautiful a piece of work before, and that the workman must be paid
his demands immediately."[81]
The manufactory languished however, even if it did not become entirely
extinct. But it was revived in the reign of Louis XIV., and has since
dispersed productions of unequalled delicacy over the civilised world.
It was called "Gobelins," because the house in the suburbs of Paris,
where the manufacture is carried on, was built by brothers whose names
were Giles and John Gobelins, both excellent dyers, and who brought to
Paris in the reign of Francis I. the secret of dying a beautiful
scarlet colour, still known by their name.
In the year 1667 this place, till then called "Gobelines' Folly,"
changed its name into that of "Hotel Royal des Gobelins," in
consequence of an edict of Louis XIV. M. Colbert having
re-established, and with new magnificence enriched and completed the
king's palaces, particularly the Louvre and the Tuilleries, began to
think of making furniture suitable to the grandeur of those buildings;
with this view he called together all the ablest workmen in the divers
arts and manufactures throughout the kingdom; particularly painters,
tapestry makers from Flanders, sculptors, goldsmiths, ebonists, &c.,
and by liberal encouragement and splendid pensions called others from
foreign nations.
The king purchased the Gobelins for them to work in, and laws and
articles were drawn up, amongst which is one that no other tapestry
work shall be imported from any other country.
Public-domain text, read in full here on John Shaqi.
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