The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
Nor did there need; for the Gobelins has ever since remained the first
manufactory of this kind in the world. The quantity of the finest and
noblest works that have been produced by it, and the number of the
best workmen bred up therein are incredible; and the present
flourishing condition of the arts and manufactures of France is, in
great measure, owing thereto.
Tapestry work in particular is their glory. During the
superintendence of M. Colbert, and his successor M. de Louvois, the
making of tapestry is said to have been practised to the highest
degree of perfection.
The celebrated painter, Le Brun, was appointed chief director, and
from his designs were woven magnificent hangings of Alexander's
Battles--The Four Seasons--the Four Elements--and a series of the
principal actions of the life of Louis XIV. M. de Louvois, during his
administration, caused tapestries to be made after the most beautiful
originals in the king's cabinet, after Raphael and Julio Romano, and
other celebrated Italian painters. Not the least interesting part of
the process was that performed by the _rentrayeurs_, or fine-drawers,
who so unite the breadths of the tapestry into one picture that no
seam is discernible, but the whole appears like one design. The French
have had other considerable manufactories at Auvergne, Felletin and
Beauvais, but all sank beneath the superiority of the Gobelins, which
indeed at one time outvied the renown of that far-famed town, whose
productions gave a title to the whole species, viz., that of Arras.
Walpole gives an intimation of the introduction of tapestry weaving
into England, so early as the reign of Edward III., "De inquirendo de
mystera Tapiciorum, London;" but usually William Sheldon, Esq., is
considered the introducer of it, and he allowed an artist, named
Robert Hicks, the use of his manor-house at Burcheston, in
Warwickshire; and in his will, dated 1570, he calls Hicks "the only
auter and beginner of tapistry and arras within this realm." At his
house were four maps of Oxford, Worcester, Warwick, and
Gloucestershires, executed in tapestry on a large scale, fragments of
which are or were among the curiosities of Strawberry-hill. We meet
with little further notice of this establishment.
Public-domain text, read in full here on John Shaqi.
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