Bramston--it seems an excessive refinement to speak of a persona or narrator--presents himself as a rather simple, naive political observer who yearns for clear-cut distinctions between parties; he wants to know where politicians stand on issues. The confusion, the blurring of old party lines, in present-day England is like the monster in the frontispiece. Though simple, he is also well informed. He seems to have a good knowledge of British history since the Restoration, referring casually to the Exclusion Crisis of 1680-81 (p. 15), the Kentish Petition of 1701 (p. 10), and the South Sea Bubble of 1720 (p. 7). All these past events are used to reinforce present lessons. He is up-to-date, as shown by his reference to the recent events in the careers of Methuen and Woolston. He professes familiarity with the characters of the leading politicians and also knows something about what is going on in the constituencies. He knows, or claims to know, how different kinds of listeners will react to different kinds of speeches. For a son of Christ Church, one of the most Tory Colleges of Tory Oxford, he seems remarkably non-partisan, though his Opposition biases do show through. When he says that "Addison's immortal Page" shows us how "to screen good Ministers from Publick rage" (p. 9), he is clearly aiming at Walpole, known as the "Screenmaster General" since his success in shielding many of the perpetrators of the South Sea Bubble in 1720. (I have not been able to discover the passage of Addison that Bramston had in mind.) When the aspiring orator is urged not to "join with silver Tongue a brazen Face" (p. 24), Walpole is again present by innuendo, for "brazen-face" was another of his nicknames. On the other hand, Bramston also makes fun of the "everlasting Fame" that results from quibbling on Sir Robert's name (p. 6). Bramston perhaps has it both ways here; while ridiculing commonplace puns, he also invites us to remember that "Robin" does indeed sound very much like "robbing." Sometimes he is more subtle and ironic. This subtlety caused difficulty for at least one contemporary reader, and may do the same for us. Consider the following passage, which parallels Horace's advice always to show Achilles wrathful, Orestes mourning, and the like: To _Likelihood_ your _Characters_ confine; Don't turn _Sir Paul_ out, let _Sir Paul_ resign. In _Walpole_'s Voice (if Factions Ill intend) Give the two _Universities_ a Friend; Give _Maidston_ Wit, and Elegance refin'd; To both the _Pelhams_ give the _Scipios_ Mind; To _Cart'ret_, Learning, Eloquence, and Parts; To _George_ the _Second_, give all _English_ Hearts. (p. 13) One of Bramston's early readers found his poem very faulty, and many of his complaints were directed against the passage just quoted. Such artless art did ever mortal see, Or politicks so void of policy? * * * * *