Military art and science -- Early works to 1800; War -- Early works to 1800
10. In battle, there are not more than two methods of attack—the direct
and the indirect; yet these two in combination give rise to an endless
series of manœuvers.
11. The direct and the indirect lead on to each other in turn. It is
like moving in a circle—you never come to an end. Who can exhaust the
possibilities of their combination?
12. The onset of troops is like the rush of a torrent which will even
roll stones along in its course.
13. The quality of decision is like the well-timed swoop of a falcon
which enables it to strike and destroy its victim.
[The Chinese here is tricky and a certain key word in the context it is
used defies the best efforts of the translator. Tu Mu defines this word
as "the measurement or estimation of distance." But this meaning does
not quite fit the illustrative simile in §. 15. Applying this
definition to the falcon, it seems to me to denote that instinct of
_self-restraint_ which keeps the bird from swooping on its quarry until
the right moment, together with the power of judging when the right
moment has arrived. The analogous quality in soldiers is the highly
important one of being able to reserve their fire until the very
instant at which it will be most effective. When the "Victory" went
into action at Trafalgar at hardly more than drifting pace, she was for
several minutes exposed to a storm of shot and shell before replying
with a single gun. Nelson coolly waited until he was within close
range, when the broadside he brought to bear worked fearful havoc on
the enemy’s nearest ships.]
14. Therefore the good fighter will be terrible in his onset, and
prompt in his decision.
[The word "decision" would have reference to the measurement of
distance mentioned above, letting the enemy get near before striking.
But I cannot help thinking that Sun Tzŭ meant to use the word in a
figurative sense comparable to our own idiom "short and sharp." Cf.
Wang Hsi’s note, which after describing the falcon’s mode of attack,
proceeds: "This is just how the ‘psychological moment’ should be seized
in war."]
15. Energy may be likened to the bending of a crossbow; decision, to
the releasing of the trigger.
[None of the commentators seem to grasp the real point of the simile of
energy and the force stored up in the bent cross-bow until released by
the finger on the trigger.]
16. Amid the turmoil and tumult of battle, there may be seeming
disorder and yet no real disorder at all; amid confusion and chaos,
your array may be without head or tail, yet it will be proof against
defeat.
[Mei Yao-ch’en says: "The subdivisions of the army having been
previously fixed, and the various signals agreed upon, the separating
and joining, the dispersing and collecting which will take place in the
course of a battle, may give the appearance of disorder when no real
disorder is possible. Your formation may be without head or tail, your
dispositions all topsy-turvy, and yet a rout of your forces quite out
of the question."]
Public-domain text, read in full here on John Shaqi.
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