Military art and science -- Early works to 1800; War -- Early works to 1800
14. We shall be unable to turn natural advantages to account unless we
make use of local guides.
15. In war, practise dissimulation, and you will succeed. Move only if
there is a real advantage to be gained.
16. Whether to concentrate or to divide your troops, must be decided by
circumstances.
17. Let your rapidity be that of the wind, your compactness that of the
forest.
18. In raiding and plundering be like fire, in immovability like a
mountain.
19. Let your plans be dark and impenetrable as night, and when you
move, fall like a thunderbolt.
20. When you plunder a countryside, let the spoil be divided amongst
your men; when you capture new territory, cut it up into allotments for
the benefit of the soldiery.
21. Ponder and deliberate before you make a move.
22. He will conquer who has learnt the artifice of deviation. Such is
the art of manœuvering.
23. The Book of Army Management says: On the field of battle, the
spoken word does not carry far enough: hence the institution of gongs
and drums. Nor can ordinary objects be seen clearly enough: hence the
institution of banners and flags.
24. Gongs and drums, banners and flags, are means whereby the ears and
eyes of the host may be focussed on one particular point.
25. The host thus forming a single united body, is it impossible either
for the brave to advance alone, or for the cowardly to retreat alone.
This is the art of handling large masses of men.
26. In night-fighting, then, make much use of signal-fires and drums,
and in fighting by day, of flags and banners, as a means of influencing
the ears and eyes of your army.
27. A whole army may be robbed of its spirit; a commander-in-chief may
be robbed of his presence of mind.
28. Now a soldier’s spirit is keenest in the morning; by noonday it has
begun to flag; and in the evening, his mind is bent only on returning
to camp.
29. A clever general, therefore, avoids an army when its spirit is
keen, but attacks it when it is sluggish and inclined to return. This
is the art of studying moods.
30. Disciplined and calm, to await the appearance of disorder and
hubbub amongst the enemy:—this is the art of retaining self-possession.
31. To be near the goal while the enemy is still far from it, to wait
at ease while the enemy is toiling and struggling, to be well-fed while
the enemy is famished:—this is the art of husbanding one’s strength.
32. To refrain from intercepting an enemy whose banners are in perfect
order, to refrain from attacking an army drawn up in calm and confident
array:—this is the art of studying circumstances.
33. It is a military axiom not to advance uphill against the enemy, nor
to oppose him when he comes downhill.
34. Do not pursue an enemy who simulates flight; do not attack soldiers
whose temper is keen.
35. Do not swallow a bait offered by the enemy. Do not interfere with
an army that is returning home.
36. When you surround an army, leave an outlet free. Do not press a
desperate foe too hard.
Public-domain text, read in full here on John Shaqi.
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