Military art and science -- Early works to 1800; War -- Early works to 1800
19. Thus one who is skilful at keeping the enemy on the move maintains
deceitful appearances, according to which the enemy will act. He
sacrifices something, that the enemy may snatch at it.
20. By holding out baits, he keeps him on the march; then with a body
of picked men he lies in wait for him.
21. The clever combatant looks to the effect of combined energy, and
does not require too much from individuals. Hence his ability to pick
out the right men and utilise combined energy.
22. When he utilises combined energy, his fighting men become as it
were like unto rolling logs or stones. For it is the nature of a log or
stone to remain motionless on level ground, and to move when on a
slope; if four-cornered, to come to a standstill, but if round-shaped,
to go rolling down.
23. Thus the energy developed by good fighting men is as the momentum
of a round stone rolled down a mountain thousands of feet in height. So
much on the subject of energy.
VI. WEAK POINTS AND STRONG
1. Sun Tzŭ said: Whoever is first in the field and awaits the coming of
the enemy, will be fresh for the fight; whoever is second in the field
and has to hasten to battle, will arrive exhausted.
2. Therefore the clever combatant imposes his will on the enemy, but
does not allow the enemy’s will to be imposed on him.
3. By holding out advantages to him, he can cause the enemy to approach
of his own accord; or, by inflicting damage, he can make it impossible
for the enemy to draw near.
4. If the enemy is taking his ease, he can harass him; if well supplied
with food, he can starve him out; if quietly encamped, he can force him
to move.
5. Appear at points which the enemy must hasten to defend; march
swiftly to places where you are not expected.
6. An army may march great distances without distress, if it marches
through country where the enemy is not.
7. You can be sure of succeeding in your attacks if you only attack
places which are undefended.You can ensure the safety of your defence
if you only hold positions that cannot be attacked.
8. Hence that general is skilful in attack whose opponent does not know
what to defend; and he is skilful in defence whose opponent does not
know what to attack.
9. O divine art of subtlety and secrecy! Through you we learn to be
invisible, through you inaudible; and hence we can hold the enemy’s
fate in our hands.
10. You may advance and be absolutely irresistible, if you make for the
enemy’s weak points; you may retire and be safe from pursuit if your
movements are more rapid than those of the enemy.
11. If we wish to fight, the enemy can be forced to an engagement even
though he be sheltered behind a high rampart and a deep ditch. All we
need do is attack some other place that he will be obliged to relieve.
12. If we do not wish to fight, we can prevent the enemy from engaging
us even though the lines of our encampment be merely traced out on the
ground. All we need do is to throw something odd and unaccountable in
his way.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account