The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The victorious armies of Justinian were therefore composed of two
distinct elements, the foreign auxiliaries serving under their own
chiefs, and the regular imperial troops. The pages of Procopius give
us sufficient evidence that in both these divisions the cavalry was by
far the most important arm. The light horseman of the Asiatic provinces
wins his especial praise. With body and limbs clothed in mail, his
quiver at his right side and his sword at his left, the Roman trooper
would gallop along and discharge his arrows to front or flank or rear
with equal ease. To support him marched in the second line the heavier
squadrons of the subsidized Lombard, or Herule, or Gepidan princes,
armed with the lance. ‘There are some,’ writes Procopius, ‘who regard
antiquity with wonder and respect, and attach no special worth to our
modern military institutions: it is, however, by means of the latter
that the weightiest and most striking results have been obtained.’
The men of the sixth century were, in fact, entirely satisfied with
the system of cavalry tactics which they had adopted, and looked with
a certain air of superiority on the infantry tactics of their Roman
predecessors.
Justinian’s army and its achievements were indeed worthy of all
praise; its victories were its own, while its defeats were generally
due to the wretched policy of the emperor, who persisted in dividing
up the command among many hands,--a system which secured military
obedience at the expense of military efficiency. Justinian might,
however, plead in his defence that the organization of the army had
become such that it constituted a standing menace to the central
power. The system of the Teutonic ‘comitatus,’ of the ‘war-band’
surrounding a leader to whom the soldiers are bound by a personal
tie, had become deeply ingrained in the imperial forces. Always
predominant among the Foederati, it had spread from them to the
native corps. In the sixth century the monarch had always to dread
that the loyalty of the troops towards their immediate commanders
might prevail over their higher duties. Belisarius, and even Narses,
were surrounded by large bodyguards of chosen men, bound to them by
oath. That, of the former general at the time of his Gothic triumph
amounted to 7000 veteran horsemen. The existence of such corps rendered
every successful commander a possible Wallenstein, to use a name of
more modern importance. Thus the emperor, in his desire to avert
the predominance of any single officer, would join several men of
discordant views in the command of an army, and usually ensure the
most disastrous consequences. This organization of the imperial force
in ‘banda,’[15] bodies attached by personal ties to their leaders,
is the characteristic military form of the sixth century. Its normal
prevalence is shown by the contemporary custom of speaking of each
corps by the name of its commanding officer, and not by any official
title. Nothing could be more opposed than this usage to old Roman
Public-domain text, read in full here on John Shaqi.
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