The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
This crisis in the military history of Europe coincided with the
breaking up of all central power in the shipwreck of the dynasty of
Charles the Great. In the absence of any organized national resistance,
the defence of the empire fell into the hands of the local counts,
who now became semi-independent sovereigns. To these petty rulers the
landholders of each district were now ‘commending’ themselves, in
order to obtain protection in an age of war and anarchy. At the same
time, and for the same reason, the poorer freemen were ‘commending’
themselves to the landholders. Thus the feudal hierarchy was
established, and a new military system appears, when the ‘count’ or
‘duke’ leads out to battle his vassals and their mounted retainers.
Politically retrogressive as was that system, it had yet its day of
success: the Magyar was crushed at Merseberg and the Lechfeld, and
driven back across the Leith, soon to become Christianised and grow
into an orderly member of the European commonwealth. The Viking was
checked in his plundering forays, expelled from his strongholds at the
river-mouths, and restricted to the single possession of Normandy,
where he--like the Magyar--was assimilated to the rest of feudal
society. The force which had won these victories, and saved Europe from
a relapse into the savagery and Paganism of the North and East, was
that of the mail-clad horseman. What wonder then if his contemporaries
and successors glorified him into the normal type of warriorhood,
and believed that no other form of military efficiency was worth
cultivating? The perpetuation of feudal chivalry for four hundred years
was the reward of its triumphs in the end of the Dark Ages.
* * * * *
Beyond the English Channel the course of the history of war is parallel
to that which it took in the lands of the Continent, with a single
exception in the form of its final development. Like the Franks, the
Angles and Saxons were at the time of their conquest of Britain a
nation of infantry soldiers, armed with the long ashen javelin, the
broadsword, the seax or broad stabbing dagger, and occasionally the
battle-axe[21]. Their defensive weapon was almost exclusively the
shield, the ‘round war-board,’ with its large iron boss. Ring-mail,
though known to them at a very early date, was, as all indications
unite to show, extremely uncommon. The ‘grey war-sark’ or ‘ring-locked
byrnie’ of Beowulf was obtainable by kings and princes alone. The
helmet also, with its ‘iron-wrought boar-crest,’ was very restricted in
its use. If the monarch and his gesiths wore such arms, the national
levy, which formed the main fighting force of a heptarchic kingdom, was
entirely without them.
Public-domain text, read in full here on John Shaqi.
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