The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
To meet them the Byzantine commander would probably have no more than
the 4000 heavy cavalry of his own Theme in hand; a force for whose
handling Leo gives minute tactical directions[40]. When he had come
up with the raiders they would turn and offer him battle: nor was
their onset to be despised. Though unequal, man for man, to their
adversaries, they were usually in superior numbers, and always came on
with great confidence. ‘They are very bold at first with expectation
of victory; nor will they turn at once, even if their line is broken
through by our impact[41].’ When they suppose that their enemy’s vigour
is relaxing, they all charge together with a desperate effort[42]. If,
however, this failed, a rout generally ensued, ‘for they think that all
misfortune is sent by God, and so, if they are once beaten, they take
their defeat as a sign of divine wrath, and no longer attempt to defend
themselves[43].’ Hence the Mussulman army, when once it turned to fly,
could be pursued _à l’outrance_, and the old military maxim, ‘Vince
sed ne nimis vincas,’ was a caution which the Byzantine officer could
disregard.
The secret of success in an engagement with the Saracens lay in the
cavalry tactics, which had for three centuries been in process of
elaboration. By the tenth century they attained their perfection, and
the experienced soldier Nicephorus Phocas vouches for their efficacy.
Their distinguishing feature was that the troops were always placed
in two lines and a reserve, with squadrons detached on the flanks
to prevent their being turned. The enemy came on in one very deep
line, and could never stand the three successive shocks as the first
line, second line, and reserve were one after another flung into the
mêlée against them. The Byzantines had already discovered the great
precept which modern military science has claimed as its own, that,
‘in a cavalry combat, the side which holds back the last reserve must
win[44].’ The exact formation used on these occasions, being carefully
described by our authorities, is worth detailing, and will be found in
our section treating of the organization of the Byzantine army.
There were several other methods of dealing with the Saracen invader.
It was sometimes advisable, when his inroad was made in great force, to
hang about the rear of the retreating plunderers, and only fall upon
them when they were engaged in passing the ‘Klissuras’ of the Taurus.
If infantry was already on the spot to aid the pursuing cavalry,
success was almost certain, when the Saracens and their train of
beasts, laden with spoil, were wedged in the passes. They could then
be shot down by the archers, and would not stand for a moment when
they saw their horses, ‘the “Pharii,” whom they esteem above all other
things[45],’ struck by arrows from a distance; for the Saracen, when
not actually engaged in close combat, would do anything to save his
horse from harm.
Public-domain text, read in full here on John Shaqi.
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