The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
It will be observed that we have given no long account of the famous
‘Greek-fire,’ the one point in Byzantine military affairs which most
authors condescend to notice. If we have neglected it, it is from
a conviction that, although its importance in ‘poliorcetics’ and
naval fighting was considerable, it was, after all, a minor engine
of war, and not comparable as a cause of Byzantine success to the
excellent strategical and tactical system on which we have dilated.
Very much the same conclusion may be drawn from a study of the other
purely mechanical devices which existed in the hands of the imperial
generals. The old skill of the Roman engineer was preserved almost in
its entirety, and the armouries of Constantinople were filled with
machines, whose deadly efficacy inspired the ruder peoples of the West
and East with a mysterious feeling of awe. The vinea and testudo, the
catapult onager and balista, were as well known in the tenth century
as in the first. They were undoubtedly employed, and employed with
effect, at every siege. But no amount of technical skill in the use of
military machines would have sufficed to account for the ascendancy
enjoyed by the Byzantines over their warlike neighbours. The sources
of that superiority are to be sought in the existence of science and
discipline, of strategy and tactics, of a professional and yet national
army, of an upper class at once educated and military. When the
aristocracy became mere courtiers, when foreign mercenaries superseded
the Isaurian bowman and the Anatolic cavalier, when the traditions
of old Roman organization gave place to mere centralization, then
no amount of the inherited mechanical skill of past ages could save
the Byzantine empire from its fall. The rude vigour of the Western
knight accomplished the task which Chosroes and Crumn, Moslemah and
Sviatoslaf, had found too hard for them. But it was not the empire of
Heraclius or John Zimisces, of Leo the Isaurian, or Leo the Armenian,
that was subdued by the piratical Crusaders, it was only the diminished
and disorganized realm of the miserable Alexius Angelus.
IV.
THE SUPREMACY OF FEUDAL CAVALRY.
A.D. 1066-1346.
[From the battle of Hastings to the battles of Morgarten and Cressy.]
Between the last struggles of the infantry of the Anglo-Dane, and the
rise of the pikemen and bowmen of the fourteenth century lies the
period of the supremacy of the mail-clad feudal horseman. The epoch is,
as far as strategy and tactics are concerned, one of almost complete
stagnation: only in the single branch of ‘Poliorcetics’ does the art of
war make any appreciable progress.
Public-domain text, read in full here on John Shaqi.
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