The Art of War in the Middle Ages A.D. 378-1515 — John Shaqi
The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
Between the middle of the fourth and the end of the sixth century lies
a period of transition in military history, an epoch of transformations
as strange and as complete as those contemporary changes which turned
into a new channel the course of political history and civilisation in
Europe. In war, as in all else, the institutions of the ancient world
are seen to pass away, and a new order of things develops itself.
Numerous and striking as are the symptoms of that period of transition,
none is more characteristic than the gradual disuse of the honoured
name of ‘Legion,’ the title intimately bound up with all the ages of
Roman greatness. Surviving in a very limited acceptance in the time of
Justinian[2], it had fifty years later become obsolete. It represented
a form of military efficiency which had now completely vanished. That
wonderful combination of strength and flexibility, so solid and yet
so agile and easy to handle, had ceased to correspond to the needs of
the time. The day of the sword and pilum had given place to that of
the lance and bow. The typical Roman soldier was no longer the iron
legionary, who, with shield fitted close to his left shoulder and
sword-hilt sunk low, cut his way through the thickest hedge of pikes,
and stood firm before the wildest onset of Celt or German[3]. The
organization of Augustus and Trajan was swept away by Constantine, and
the legions which for three hundred years had preserved their identity,
their proud titles of honour, and their _ésprit de corps_, knew
themselves no longer[4].
Constantine, when he cut down the numbers of the military unit to
a quarter of its former strength, and created many scores of new
corps[5], was acting from motives of political and not military
expediency[6]. The armament and general character of the troops
survived their organization, and the infantry, the ‘robur peditum,’
still remained the most important and numerous part of the army. At
the same time, however, a tendency to strengthen the cavalry made
itself felt, and the proportion of that arm to the whole number of
the military establishment continued steadily to increase throughout
the fourth century. Constantine himself, by depriving the legion of
its complementary ‘turmae,’ and uniting the horsemen into larger
independent bodies, bore witness to their growing importance. It would
seem that the Empire--having finally abandoned the offensive in war,
and having resolved to confine itself to the protection of its own
provinces--found that there was an increasing need for troops who
could transfer themselves with rapidity from one menaced point on the
frontier to another. The Germans could easily distance the legion,
burdened by the care of its military machines and impedimenta. Hence
cavalry in larger numbers was required to intercept their raids.
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