The Art of War in the Middle Ages A.D. 378-1515 — John Shaqi
The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The array of a feudal force was stereotyped to a single pattern. As
it was impossible to combine the movements of many small bodies, when
the troops were neither disciplined nor accustomed to act together, it
was usual to form the whole of the cavalry into three great masses,
or ‘battles,’ as they were called, and launch them at the enemy.
The refinement of keeping a reserve in hand was practised by a few
commanders, but these were men distinctly in advance of their age.
Indeed it would often have been hard to persuade a feudal chief to take
a position out of the front line, and to incur the risk of losing his
share in the hard fighting. When two ‘battles’ met, a fearful _mêlée_
ensued, and would often be continued for hours. Sometimes, as if by
agreement, the two parties wheeled to the rear, to give their horses
breath, and then rushed at each other again, to renew the conflict
till one side grew overmatched and left the field. An engagement like
Brenville or Bouvines or Benevento was nothing more than a huge scuffle
and scramble of horses and men over a convenient heath or hillside.
The most ordinary precautions, such as directing a reserve on a
critical point, or detaching a corps to take the enemy in flank, or
selecting a good position in which to receive battle, were considered
instances of surpassing military skill. Charles of Anjou, for instance,
has received the name of a great commander, because at Tagliacozzo
he retained a body of knights under cover, and launched it against
Conradin’s rear, when the Ghibellines had dispersed in pursuit of the
routed Angevin main-battle. Simon de Montfort earned high repute; but
if at Lewes he kept and utilized a reserve, we must not forget that at
Evesham he allowed himself to be surprised and forced to fight with
his back to a river, in a position from which no retreat was possible.
The commendation of the age was, in short, the meed of striking feats
of arms rather than of real generalship. If much attention were to be
paid to the chroniclers, we should believe that commanders of merit
were numerous; but, if we examine the actions of these much-belauded
individuals rather than the opinions of their contemporaries, our
belief in their ability almost invariably receives a rude shock[62].
Public-domain text, read in full here on John Shaqi.
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