The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
In no point do we find a greater resemblance between the histories
of the two peoples, than in the causes of their success in war. Rome
and Switzerland alike are examples of the fact that a good military
organization and a sound system of national tactics are the surest
basis for a sustained career of conquest. Provided with these a
vigorous state needs no unbroken series of great commanders. A
succession of respectable mediocrities suffices to guide the great
engine of war, which works almost automatically, and seldom fails to
cleave its way to success. The elected consuls of Rome, the elected or
nominated ‘captains’ of the Confederates, could never have led their
troops to victory, had it not been for the systems which the experience
of their predecessors had brought to perfection. The combination of
pliability and solid strength in the legion, the powers of rapid
movement and irresistible impact which met in the Swiss column, were
competent to win a field without the exertion of any extraordinary
ability by the generals who set them in motion.
The battle-array which the Confederates invariably employed, was one
whose prototype had been seen in the Macedonian phalanx. It was always
in masses of enormous depth that they presented themselves on the
battlefield. Their great national weapon in the days of their highest
reputation was the pike, an ashen shaft eighteen feet long, fitted
with a head of steel which added another foot to its length. It was
grasped with two hands widely extended, and poised at the level of the
shoulder with the point slightly sunk, so as to deliver a downward
thrust[72]. Before the line projected not only the pikes of the front
rank, but those of the second, third, and fourth, an impenetrable
hedge of bristling points. The men in the interior of the column held
their weapons upright, till called upon to step forward in order to
replace those who had fallen in the foremost ranks. Thus the pikes,
rising twelve feet above the heads of the men who bore them, gave to
the charging mass the appearance of a moving wood. Above it floated
numberless flags, the pennons of districts, towns, and guilds[73], the
banners of the cantons, sometimes the great standard of ‘the Ancient
League of High Germany,’ the white cross on the red ground.
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