The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
Next to its solidity the most formidable quality of the Swiss infantry
was its rapidity of movement. ‘No troops were ever more expeditious
on a march, or in forming themselves for battle, because they were not
overloaded with armour[76].’ When emergencies arrived a Confederate
army could be raised with extraordinary speed; a people who regarded
military glory as the one thing which made life worth living, flocked
to arms without needing a second summons. The outlying contingents
marched day and night in order to reach the mustering place in
good time. There was no need to waste days in the weary work of
organization, when every man stood among his kinsmen and neighbours,
beneath the pennon of his native town or valley. The troops of the
democratic cantons elected their officers, those of the larger states
received leaders appointed by their councils, and then without further
delay the army marched to meet the enemy. Thus an invader, however
unexpected his attack, might in the course of three or four days find
twenty thousand men on his hands. They would often be within a few
miles of him, before he had heard that a Swiss force was in the field.
In face of such an army it was impossible for the slowly-moving troops
of the fourteenth or fifteenth centuries to execute manœuvres. An
attempt to alter the line of battle,--as Charles the Rash discovered
to his dismay at Granson,--was sure to lead to disaster. When once
the Confederates were in motion their enemy had to resign himself to
fighting in whatever order he found himself at the moment. They always
made it their rule to begin the fight, and never to allow themselves to
be attacked. The composition of their various columns was settled early
on the battle morning, and the men moved off to the field already drawn
up in their fighting-array. There was no pause needed to draw the army
out in line of battle; each phalanx marched on the enemy at a steady
but swift pace, which covered the ground in an incredibly short time.
The solid masses glided forward in perfect order and in deep silence,
until the war-cry burst out in one simultaneous roar and the column
dashed itself against the hostile front. The rapidity of the Swiss
advance had in it something portentous: the great wood of pikes and
halberds came rolling over the brow of some neighbouring hill; a moment
later it was pursuing its even way towards the front, and then--almost
before the opponent had time to realize his position--it was upon him,
with its four rows of spear-points projecting in front and the impetus
of file upon file surging up from the rear.
Public-domain text, read in full here on John Shaqi.
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