The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The long-bow had as yet been employed only in offensive warfare,
and against an enemy inferior in cavalry to the English army. When,
however, Edward III led his invading force into France, the conditions
of war were entirely changed. The French were invariably superior in
the numbers of their horsemen, and the tactics of the archer had to
be adapted to the defensive. He was soon to find that the charging
squadron presented as good a mark for his shaft as the stationary
column of infantry. Nothing indeed could be more discomposing to a body
of cavalry than a flight of arrows: not only did it lay low a certain
proportion of the riders, but it caused such disorder by setting the
wounded horses plunging and rearing among their fellows, that it was
most effective in checking the impetus of the onset. As the distance
grew shorter and the range more easy, the wounds to horse and man
became more numerous: the disorder increased, the pace continued to
slacken, and at last a limit was reached, beyond which the squadron
could not pass. To force a line of long-bowmen by a mere front attack
was a task almost as hopeless for cavalry as the breaking of a modern
square. This, however, was a fact which the continental world had yet
to learn in the year 1346.
The scientific method of receiving a charge of horsemen by archers
flanked with supporting troops was first practised by Edward III at
Creçy. When he determined to fight, he chose an excellent position on
the gentle slope of a hill, whose flanks were protected by woods and
a little brook, which also ran along the front of the line. Following
the immemorial usage of the middle ages, the army was drawn up in
three ‘battles’, of which the foremost was commanded by the Prince of
Wales, the second by the Earl of Northampton, and the third by the
King himself. In the front ‘battle’, on which the greater part of the
fighting was to fall, 2000 archers were flanked by two bodies of 800
dismounted men-at-arms, who stood in solid phalanx with their lances
before them, to receive cavalry charges directed against the wings of
the archers. The second line was formed in similar order, while between
the two were ranged 1000 Welsh and Cornish light infantry armed with
javelins and long knives. The reserve of 2000 archers and 700 mounted
men occupied the summit of the hill.
[Illustration: BATTLE OF POICTIERS, 1356.
A.A. _Archers._
B. _Prince of Wales with men-at-arms._
C. _Ambush._
D. _Waggons arranged to cover rear._
_a.a.a. French dismounted men-at-arms, in three great ‘battles’._
_b. Vanguard, 300 mounted men._
_c.c. Two small wings composed of mounted German mercenaries._]
[Illustration: BATTLE OF AGINCOURT, 1415.
A.A. _Archers._
B. _Dismounted men-at-arms._
C. _Palisades._
D. _Billmen._
_a.a. Two great ‘battles’ of dismounted men-at-arms._
_b.b. Mounted Men at-Arms._
_c.c. Infantry._]
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