The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
Nothing could be more characteristic of the indiscipline of the French
army than the fact that it forced on the battle a day sooner than its
leader had intended. On observing the English position, Philip and his
marshals had determined to defer the conflict till the next morning, as
the troops had been marching since daybreak. When, however, the order
to halt reached the vanguard, the nobles at the head of the column
believed that they were to be deprived of the honour of opening the
fight, as they could see that some of the troops in the rear were still
advancing. They therefore pushed on, and, as the main-body persisted
in following them, the whole army arrived so close to the English
position that a battle became unavoidable. The circumstances of that
day have often been described: it is unnecessary to detail the mishap
of the unfortunate Genoese crossbowmen, who were shot down in scores
while going through the cumbrous process of winding up their arbalests.
The fruitless charges of the cavalry against the front of the line
of archers led to endless slaughter, till the ground was heaped with
the bodies of men and horses, and further attempts to advance became
impossible. Only on the flanks was the charge pressed home; but when
the counts of Flanders and Alençon came on the compact masses of
dismounted cavalry who covered the wings of the archery, their progress
was at an end. They fell before the line of lances which they were
unable to break, and fared no better than their comrades in the centre.
At evening the French fell back in disorder, and their whole army
dispersed. The English had won the day without stirring a foot from
their position: the enemy had come to them to be killed. Considerably
more than a third of his numbers lay dead in front of the English line,
and of these far the greater number had fallen by the arrows of the
bowmen.
Creçy had proved that the archer, when adequately supported on his
flanks, could beat off the most-determined charges of cavalry. The
moral, however, which was drawn from it by the French was one of a
different kind. Unwilling, in the bitterness of their class-pride,
to ascribe the victory to the arms of mere peasants, they came to
the conclusion that it was due to the stability of the phalanx of
dismounted knights.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account