The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
This was a splendid tactical triumph for the Prince, who secured the
victory by the excellence of the position he had chosen, and the
judicious use made of his archery. John’s new device for attacking an
English army had failed, with far greater ignominy than had attended
the rout of his predecessor’s feudal chivalry at Creçy. So greatly
did the result of the day of Poictiers affect the French mind, that
no further attempt was made to meet the invader in a pitched battle
during the continuance of the war. Confounded at the blow which had
been delivered against their old military system, the noblesse of
France foreswore the open field, and sullenly shut themselves up in
their castles, resolved to confine their operations to petty sieges
and incursions. The English might march through the length and breadth
of the land--as did the Earl of Lancaster in 1373--but they could no
longer draw their opponents out to fight. Intrenched behind walls which
the invader had no leisure to attack, the French allowed him to waste
his strength in toilsome marches through a deserted country. Opposed as
was this form of war to all the precepts of chivalry--which bid the
good knight to accept every challenge--they were on the whole well
suited to the exigencies of the time. The tactics of Charles V and Du
Guesclin won back all that those of King John had lost. The English
found that the war was no longer a means of displaying great feats of
arms, but a monotonous and inglorious occupation, which involved a
constant drain of blood and money, and no longer maintained itself from
the resources of the enemy.
Common sense, and not aphorisms drawn from the customs of the
tournament, guided the campaigns of Du Guesclin. He took the field,
not in the spirit of adventure, but in the spirit of business. His end
being to edge and worry the English out of France, he did not care
whether that consummation was accomplished by showy exploits or by
unobtrusive hard work. He would fight if necessary, but was just as
ready to reach his goal by craft as by hard blows. Night surprises,
ambuscades, and stratagems of every description were his choice, in
preference to open attacks. Provided with a continual supply of men
by his ‘free companies,’ he was never obliged to hazard an engagement
for fear that his forces might melt away without having done any
service. This relieved him from that necessity to hurry operations,
which had been fatal to so many generals commanding the temporary
hosts of feudalism. The English were better fitted for winning great
battles than for carrying on a series of harassing campaigns. Tactics,
not strategy, was their forte, and a succession of petty sieges and
inglorious retreats put an end to their ill-judged attempt to hold by
force a foreign dominion beyond the Channel.
Public-domain text, read in full here on John Shaqi.
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