The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
Bearing this in mind, King John, at the battle of Poictiers, resolved
to imitate the successful expedient of King Edward. He commanded the
whole of his cavalry, with the exception of two corps, to shorten their
spears, take off their spurs, and send their horses to the rear. He had
failed to observe that the circumstances of attack and defence are
absolutely different. Troops who intend to root themselves to a given
spot of ground adopt tactics the very opposite of those required for an
assault on a strong position. The device which was well chosen for the
protection of Edward’s flanks at Creçy, was ludicrous when adopted as
a means for storming the hill of Maupertuis. Vigorous impact and not
stability was the quality at which the king should have aimed. Nothing,
indeed, could have been more fatal than John’s conduct throughout the
day. The battle itself was most unnecessary, since the Black Prince
could have been starved into surrender in less than a week. If,
however, fighting was to take place, it was absolutely insane to form
the whole French army into a gigantic wedge--where corps after corps
was massed behind the first and narrowest line--and to dash it against
the strongest point of the English front. This, however, was the plan
which the king determined to adopt. The only access to the plateau of
Maupertuis lay up a lane, along whose banks the English archers were
posted in hundreds. Through this opening John thrust his vanguard, a
chosen body of 300 horsemen, while the rest of his forces, three great
masses of dismounted cavalry, followed close behind. It is needless
to say that the archers shot down the greater part of the advanced
corps, and sent the survivors reeling back against the first ‘battle’
in their rear. This at once fell into disorder, which was largely
increased when the archers proceeded to concentrate their attention
on its ranks. Before a blow had been struck at close quarters, the
French were growing demoralized under the shower of arrows. Seeing his
opportunity, the Prince at once came down from the plateau, and fell on
the front of the shaken column with all his men-at-arms. At the same
moment a small ambuscade of 600 men, which he had placed in a wood to
the left, appeared on the French flank. This was too much for King
John’s men: without waiting for further attacks about two-thirds of
them left the field. A corps of Germans in the second ‘battle’ and the
troops immediately around the monarch’s person were the only portions
of the army which made a creditable resistance. The English, however,
were able to surround these bodies at their leisure, and ply bow and
lance alternately against them till they broke up. Then John, his son
Philip, and such of his nobles as had remained with him, were forced to
surrender.
Public-domain text, read in full here on John Shaqi.
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