The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
Prominent among the features of the war stands out the generalship
of King Edward IV. Already a skilful commander in his nineteenth
year, it was he who at Northampton turned the Lancastrian position,
by forcing the ‘streight places’ which covered the flank of the
‘line of high banks and deep trenches’ behind which the army of King
Henry was sheltered[116]. A year later he saved a cause which seemed
desperate, by his rapid march from Hereford to London; a march executed
in the inclement month of February and over the miry roads of the
South-Midland counties. The decision of mind which led him to attempt
at all hazards to throw himself into the capital, won him his crown
and turned the balance at the decisive crisis of the war. If, when
settled on the throne, he imperilled his position by carelessness and
presumption, he was himself again at the first blast of the trumpet.
His vigorous struggle in the spring of 1470, when all around him were
showing themselves traitors, was a wonderful example of the success of
prompt action[117]. Nor was his genius less marked in his last great
military success, the campaign of Barnet and Tewkesbury.
To have marched from York to London, threading his way among the
hosts of his foes without disaster, was a skilful achievement,
even if the treachery of some of the hostile commanders be taken
into consideration. At Barnet he showed that tactics no less than
strategy lay within the compass of his powers, by turning the casual
circumstance of the fog entirely to his own profit. The unforeseen
chance by which each army outflanked the other was not in itself more
favourable to one party than to the other: it merely tested the
relative ability of the two leaders. But Edward’s care in providing a
reserve rendered the defeat of his left wing unimportant, while the
similar disaster on Warwick’s left was turned to such good account
that it decided the day. Warwick himself indeed, if we investigate
his whole career, leaves on us the impression rather of the political
wire-puller, ‘le plus subtil homme de son vivant,’ as Commines called
him, than of the great military figure of traditional accounts. Barnet
being won, the second half of the campaign began with Edward’s march
to intercept Queen Margaret before she could open communications with
her friends in South Wales. Gloucester was held for the king; his
enemies therefore, as they marched north, were compelled to make for
Tewkesbury, the first crossing on the Severn which was passable for
them. The Lancastrian feint on Chipping Sodbury was not ill-judged, but
Edward rendered its effect nugatory by his rapid movements. Both armies
gathered themselves up for a rush towards the all-important passage,
but the king--although he had the longer distance to cover, and was
toiling over the barren rolling country of the Cotswold plateau--
out-marched his opponents. Men spoke with surprise of the thirty-two
miles which his army accomplished in the day, without halting for a
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