The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
meal, and in a district where water was so scarce that the men were
able to quench their thirst only once in the twelve hours[118]. By
evening the king was within five miles of the Lancastrians, who had
halted--utterly worn out--in the town of Tewkesbury. As they had not
succeeded in crossing its ferry that night, they were compelled to
fight next day, since there was even greater danger in being attacked
while their forces were half across the Severn, and half still on
the Gloucestershire side, than in turning to meet the king. Queen
Margaret’s generals therefore drew up their forces on the rising ground
to the south of the town, in a good position, where they had the
slope of the hill in their favour, and were well protected by hedges
and high banks. Edward, however, made no rash attempts to force his
enemies’ line: instead of delivering an assault he brought up cannon
and concentrated their fire on one of the hostile wings. Somerset,
who commanded there, was at last so galled that he came down from
his vantage ground to drive off the gunners. His charge was for the
moment successful, but left a fatal gap in the Lancastrian line. The
centre making no attempt to close this opening[119], Edward was enabled
to thrust his ‘main-battle’ into it, and thus forced the position,
and drove his enemies in complete disorder into the _cul-de-sac_
of Tewkesbury town, where they were for the most part compelled to
surrender. It will at once be observed that the king’s tactics on this
occasion were precisely those which had won for William the Norman
the field of Senlac. He repeated the experiment, merely substituting
artillery for archery, and put his enemy in a position where he had
either to fall back or to charge in order to escape the Yorkist
missiles.
Public-domain text, read in full here on John Shaqi.
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