The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The direct influence of English methods of warfare on the general
current of European military science ends with the final loss of
dominion in France in the years 1450-53. From that period the occasions
of contact which had once been so frequent become rare and unimportant.
The Wars of the Roses kept the English soldier at home, and after their
end the pacific policy of Henry VII tended to the same result. Henry
VIII exerted an influence on Continental politics by diplomacy and
subsidies rather than by his barren and infrequent expeditions, while
in the second half of the century the peculiar characteristics of the
English army of the fourteenth and fifteenth century had passed away,
in the general change and transformation of the forms of the Art of
War.
VII.
CONCLUSION.
We have now discussed at length the two systems of tactics which played
the chief part in revolutionising the Art of War in Europe. The one
has been traced from Morgarten to Bicocca, the other from Falkirk to
Formigny, and it has been shown how the ascendancy of each was at last
checked by the development of new forms of military efficiency among
those against whom it was directed. While ascribing to the pikemen of
Switzerland and the English archery the chief part in the overthrow of
feudal cavalry--and to no small extent in that of feudalism itself--
we must not forget that the same work was simultaneously being wrought
out by other methods in other quarters of Europe.
Prominent among the experiments directed to this end was that of
Zisca and his captains, in the great Hussite wars of the first half
of the fifteenth century. In Bohemia the new military departure was
the result of social and religious convulsions. A gallant nation had
risen in arms, stirred at once by outraged patriotism and by spiritual
zeal; moved by a desire to drive the intruding German beyond the
Erzgebirge, but moved even more by dreams of universal brotherhood,
and of a kingdom of righteousness to be established by the sword.
All Bohemia was ready to march, but still it was not apparent how
the overwhelming strength of Germany was to be met. If the fate of
the struggle had depended on the lances of the Tzech nobility it
would have been hopeless: they could put into the field only tens to
oppose to the thousands of German feudalism. The undisciplined masses
of peasants and burghers who accompanied them would, under the old
tactical arrangements, have fared no better than the infantry of
Flanders had fared at Rosbecque. But the problem of utilising those
strong and willing arms fell into the hands of a man of genius. John
Zisca of Trocnov had acquired military experience and hatred of Germany
while fighting in the ranks of the Poles against the Teutonic knights.
He saw clearly that to lead into the field men wholly untrained,
and rudely armed with iron-shod staves, flails, and scythes fixed
to poles, would be madness. The Bohemians had neither a uniform
Public-domain text, read in full here on John Shaqi.
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