The art of writing & speaking the English language : $b How to read and what to readCody, Sherwin
History
The art of writing & speaking the English language : $b How to read and what to read
Cody, Sherwin
Books and reading; Literature -- History and criticism
There is a book, however, that will well repay getting and reading in
part, from time to time, for many years. That is Modern Painters. It
is in four large volumes, and from the title one might suppose it was
a technical history of modern painting. This is not the fact, however.
It is a popular study of the noblest element in art, and throughout the
four volumes one will find marvellous pictures of word-painting, such
as Ruskin’s description of Turner’s Slave Ship, when he is discussing
sea-painting. He talks of art and nature, always looking at art from
the point of view of nature; and the volumes are so well divided into
chapters and sections, each with its title and sub-title, that one can
pick out an interesting subject here, and another there. It will be
of especial interest and value to any one who cares at all about art.
Ruskin wrote the first volume of this work before he was twenty-four,
and it is perhaps the most brilliant thing he ever did. It is full of
life and colour and splendid word-painting.
The reader who believes in culture and wishes to cultivate the esthetic
and refined should certainly read Matthew Arnold’s book Culture and
Anarchy. It requires a close and logical mind to appreciate and
understand him, and to read and like him is not easy, but a liking for
his chapter on Sweetness and Light is an excellent test of one’s real
success in the cultivation of culture.
It will be seen that there are good essays of many types. There is the
epigrammatic discussion of everyday matters, such as we find in Bacon,
and in quite a different way in Emerson; and there is the quaint and
playful humour of Addison and Lamb; there is the splendid rhetoric of
De Quincey and of Macaulay, and the splendid word-painting of Ruskin;
there is the preaching of Carlyle, and the literary lecturing of
Matthew Arnold. If we cannot know all, we must choose our bent and
follow the lines we like best.
The most popular form of the essay is that of Addison and Lamb, the
quaint, amusing, human badinage on familiar topics, full of love,
and full of sense. Along this line there are a few good modern
books--Oliver Wendell Holmes’s Autocrat of the Breakfast Table, Ik
Marvel’s Reveries of a Bachelor, Charles Dudley Warner’s Backlog
Studies, and Barrie’s My Lady Nicotine and When a Man’s Single.[3]
Public-domain text, read in full here on John Shaqi.
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