The art of writing & speaking the English language : $b How to read and what to readCody, Sherwin
History
The art of writing & speaking the English language : $b How to read and what to read
Cody, Sherwin
Books and reading; Literature -- History and criticism
But let us see what amusement is. An alternative term is
_recreation_, which means literally “being created anew.” Any
escape from the routine of life into an atmosphere which is harmonious
with our faculties for enjoyment is recreation. Amusement is the
antithesis of work. A book the reading of which contains no suggestion
of labour is a perfect recreation, since it allows our overworked
faculties to rest and calls into play those faculties which otherwise
would lie fallow and ultimately become stunted and dead. When we
speak of a book as “amusing” we mean that it affords a complete
relaxation to our faculties; but such complete relaxation is not
altogether necessary to perfect recreation, for we may exercise one
set of faculties while relaxing another. Literature is and should be
relaxing to those faculties that are worn out by the dull routine of
life; but any statement that a novel should be _merely_ amusing,
_merely_ relaxing, is decidedly untrue to the facts in the case.
The public does want recreation; we all want it; we all need it; it is
one of the highest offices of literature to give it; but _mere_
relaxation of wearied faculties will never create us anew. For true
re-creation we must have that in literature which has been named
_creative_,--something positive, vital, strong, and human. It
is the duty of all great literature to be interesting. That which
has ceased to be interesting is dead, and the quicker it is buried
the better. The fact is, however, that no efforts at embalming or
preservation on the part of critics will keep before the public that
which the public chooses to bury.
And this brings us to another question. What part has popularity in
true literature? Some swear only by that which is very popular; and
others curse the masses of the people, declaring that they like
that which is bad for its very badness, wallowing in filth and the
commonplace, loving sentimentality in preference to true sentiment,
and seeking in fiction only excitement of their passions. Such a view
is libellous. As Lincoln once said in regard to other matters, You can
deceive all the people part of the time and part of the people all
the time, but you cannot deceive all the people all the time. We must
confess that the public is always wandering after a will-o’-the-wisp;
but at all times the public as a whole, we must believe, is seeking
the good. It does not love the bad merely because it is bad; but it
swallows the bad because it wants the grain of good it can get in no
other way. And with the element of time added, it is the public that
makes “the verdict of posterity” which all reverence. We must not
forget, however, the element in the equation called Time; for that Time
may reduce the equation to zero and prove that our unknown quantity is
nothing.
Public-domain text, read in full here on John Shaqi.
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