The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of Arrangement — John Shaqi
The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of ArrangementGress, Edmund G. (Edmund Geiger)
History
The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of Arrangement
Gress, Edmund G. (Edmund Geiger)
Advertising layout and typography -- United States; Graphic design (Typography) -- United States; Printing -- United States -- History
Gradually after that, Rome superseded Alexandria as an intellectual
center, as Alexandria had previously superseded Athens. The conquest of
Greece, over a hundred years before, had been the cause of many Greek
scholars and philosophers taking up their abode in Rome. This, with the
fact that a great number of scribes and copyists had involuntarily come
to the Eternal City because of the fortunes of war, helped to develop in
the Romans an interest in literature.
During the period of Roman history identified with Julius Cæsar there
were customs in manuscript making that are interesting in their
suggestion of modern newspaper methods. In fact, Cæsar is credited with
having been the founder of the newspaper.
He introduced the daily publication of the news of the Roman Senate and
People, a radical change from the previous custom of issuing yearly
news-letters known as the Annals. The acts of the senate were reported
by trained writers known as tabularii, or inscribers of tablets, and
were revised and edited before publication by a senator appointed to
that duty. Abbreviated forms of writing were used in “reporting,” a sort
of short-hand which enabled the scribe to write as rapidly as a man
could speak. Cæsar himself wrote his letters in characters which
prevented them being read by his enemies.
[Illustration:
ROMAN WAXED TABLET
The present method of binding flat books might have originated with
these old tablets
]
The “Acts of the Senate” grew into a diary of general news, known as the
“Acts of the City,” and it is likely that the educated slaves in the
families of public men were called into service to duplicate copies for
circulation.
Altho the Emperor Augustus, who reigned in Rome at the beginning of the
Christian era, discontinued publishing the Acts of the Senate, he
encouraged the writing and copying of books to such extent that the
period is a memorable one in literature. The classic authors, Virgil and
Horace, wrote at that time, and many other important manuscripts were
produced.
Slave labor was utilized for copying, and large editions of manuscript
rolls were produced with an ease that rivaled the later method of the
printing press. In such instances it was the custom for a reader to read
aloud, to, say, one hundred trained writers. The possibilities of this
process may be imagined. Horace allowed his slaves rations which were so
meager that the entire cost of production, including papyrus and
binding, of a small book was equivalent to about twelve cents in United
States coin.
Thus it will be seen that in the days of the Roman Empire books were
plentiful and cheap because of slave labor, just as they are cheap in
modern times because of machinery.
For most of their books the Romans, as had the Egyptians and Greeks
before them, used rolls of papyrus wound about rods.
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