The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of Arrangement — John Shaqi
The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of ArrangementGress, Edmund G. (Edmund Geiger)
History
The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of Arrangement
Gress, Edmund G. (Edmund Geiger)
Advertising layout and typography -- United States; Graphic design (Typography) -- United States; Printing -- United States -- History
and books—Records of this suit evidence of Gutenberg’s invention—The
famous Forty-two Line Bible—Gutenberg again establishes himself as a
printer—An appointment from the Bishop of Mainz—Dies about 1468—H. Noel
Humphrey’s tribute—Peter Schœffer—Copies books at the University of
Paris—Becomes Gutenberg’s assistant—Assumes charge after his master’s
death—Marries Fust’s daughter—The new firm publishes a Psalter—First
book with a printed date—Features of the book.
THE SPREAD OF TYPOGRAPHY
_Page 13_
The city of Mainz—A conflict between two archbishops—The city is set
afire—Fust and Schœffer’s printing office burned—The workmen flee to
various parts of Europe—A table of the spread of typography from Mainz—
In Germany—John Mentel at Strassburg—Albrecht Pfister at Bamberg—Ulrich
Zell at Cologne never printed a book in the German language—Arnold Ter
Hoorne first to use Arabic numerals—Gunther Zainer at Augsburg first in
Germany to print with Roman characters—Heinrich Keffer at Nuremberg—John
Sensenschmidt at Nuremberg and Bamberg—The Bamberg Missal—Anthony
Koburger at Nuremberg had twenty-four presses in operation—In Italy—
First type printing done in the monastery at Subiaco—Conrad Schweinheim
and Arnold Pannartz brought from Germany—Ulrich Hahn first printer in
city of Rome proper—John de Spira first typographer at Venice and had
exclusive right—Nicholas Jenson comes to Venice and uses a new Roman
type-face—Story of his introduction to the art—The first page of
displayed type composition—J, U and W not in books printed by Jenson—His
office passes to Aldus Manutius—Italic introduced—Aldus reduces the size
of books and suggests the printing of a polyglot Bible—Works of Peter
Paul Porrus and Augustin Justinian—Aldus assisted by scholar-refugees
from Constantinople—His complete name—Venetian printing offices and
their product—Bernardo Cennini at Florence—Johann Numeister at Foligno—
In Switzerland—Bertold Ruppel at Basel—This city gave France its first
typographers—John Froben at Basel—Erasmus has him print his books—In
France—Ulrich Gering, Martin Crantz and Michel Friburger at Paris—Gering
becomes rich—Sectional wood border on book printed by Philip Pigouchet
for Simon Vostre—Henry Estienne at Paris—First of illustrious family of
typographers—Robert Estienne best known and most scholarly—Flees to
Geneva, Switzerland, for safety—Dies there after a labor of love—In the
Netherlands—A press erected at Utrecht—Colard Mansion and William Caxton
at Bruges produce the first book printed in English—Van der Goes at
Antwerp—Christopher Plantin at Antwerp gave renown to that city—His
printing office now a museum—A polyglot Bible his greatest work—Louis
Elzevir, founder of a family of learned printers, at Leyden—The second
Louis Elzevir at Amsterdam—Johannes Andriesson at Haarlem—In England—
William Caxton the first to set type in that country—Apprenticed to a
Public-domain text, read in full here on John Shaqi.
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