English poetry -- History and criticism; Poetry -- Early works to 1800
And now (most excellent Queene) having largely said of Poets & Poesie and
about what matters they be employed: then of all the commended fourmes of
Poemes, thirdly of metricall proportions, such as do appertaine to our
vulgar arte: and last of all set forth the poeticall ornament consisting
chiefly in the beautie and gallantness of his language and stile, and so
haue apparelled him to our seeming, in all his gorgious habilliments, and
pulling him first from the carte to the schoole, and from thence to the
Court, and preferred him to your Maiesties seruice, in that place of great
honour and magnificence to geue entertainment to Princes, Ladies of
honour, Gentlewomen and Gentlemen, and by his many moodes of skill, to
serue the many humors of men thither haunting and resorting, some by way
of solace, some of serious aduise and in matters aswell profitable as
pleasant and honest. Wee haue in our humble conceit sufficiently
perfourmed our promise or rather dutie to your Maiestie in the description
of this arte, so alwaies as we leaue him not vnfurnisht of one peece that
best befeemes that place of any other, and may serue as a principall good
lesson for al good makers to beare continually in mind, in the vsage of
this science: which is that being now lately become a Courtier he shew not
himself a craftsman, & merit to be disgraded, & with scorne sent back
againe to the shop, or other place of his first facultie and calling, but
that so wisely & discreetly he behaue himselfe as he may worthily returne
the credit of his place, and profession of a very Courtier, which is in
plaine termes, cunningly to be able to dissemble. But (if it please your
Maiestie) may it not seeme inough for a Courtier to know how to weare a
fether, and set his cappe a slaunt, his chaine _en echarpe_, a straight
buskin _al inglesse_, a loose _alo Turquesque_, the cape _alla Spaniola_,
the breech _a la Francoise_, and by twentie maner of new faishoned
garments to disguise his body, and his face with as many countenances,
whereof it seemes there be many that make a very arte, and studie who can
shew himselfe most fine, I will not say most foolish and ridiculous? or
perhaps rather that he could dissemble his conceits as well as his
countenances, so as he neuer speake as he thinkes, or thinke as he speaks,
and that in any matter of importance his words and his meaning very
seldome meete: for so as I remember it was concluded by vs setting foorth
the figure _Allegoria_, which therefore not impertinently we call the
Courtier or figure of faire semblant, or is it not perchance more
requisite our courtly Poet do dissemble not onely his countenances &
conceits, but also all his ordinary actions of behauiour, or the most part
of them, whereby the better to winne his purposes & good aduantages, as
now & then to haue a iourney or sicknesse in his sleeue, thereby to shake
of other importunities of greater consequence, as they vse their
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