The Arts and Crafts of Ancient EgyptPetrie, W. M. Flinders (William Matthew Flinders)
History
The Arts and Crafts of Ancient Egypt
Petrie, W. M. Flinders (William Matthew Flinders)
Art, Egyptian
The Arts and Crafts of the Nations
GENERAL EDITOR: S. H. F. CAPENNY
THE ARTS AND CRAFTS OF ANCIENT EGYPT
[Illustration: OLD KINGDOM RELIEF
55. Wood-carving of Ra-hesy]
THE
ARTS & CRAFTS
OF ANCIENT EGYPT
BY
W. M. FLINDERS PETRIE
D.C.L., F.R.S., F.B.A., ETC., PROFESSOR OF
EGYPTOLOGY IN LONDON UNIVERSITY;
AUTHOR OF “A HISTORY OF EGYPT,” ETC.
CONTAINING
ONE HUNDRED AND FORTY ILLUSTRATIONS
_SECOND EDITION
WITH ADDITIONAL CHAPTER_
T. N. FOULIS
LONDON & EDINBURGH
1910
_First Edition, November 1909_
_Second Edition, October 1910_
PRINTED BY NEILL AND CO., LTD., EDINBURGH
PREFACE
This present handbook is intended to aid in the understanding of
Egyptian art, and the illustrations and descriptions are selected for
that purpose only. The history of the art would require a far greater
range of examples, in order to illustrate the growth and decay of each
of the great periods; whereas here only the most striking works of each
period are shown, in order to contrast the different civilisations. The
origins and connections of the art in each age are scarcely touched,
and the technical details are only such as are needed to see the
conditions of the art. The archaeology of the subject would need as
wide a treatment as the history, and these subjects can only appear
here incidentally.
It should be noticed that the divisions of artistic periods are often
not the same as those of political history. Politically, the history
divides at the XVIIth dynasty with the fall of the Hyksos, and at the
XXIInd dynasty with the rise of the Delta government. But artistically
the changes are under Tahutmes I, when Syrian influences broke in, and
under the XXVIth dynasty, when the classical Greeks began to dominate
the art.
The effect of foreign influence in art is quite apart from political
power; it is due to rival activities which may or may not mean a
physical domination. The reader should ponder different cases, such
as those of the spiral design of early Europe entering Egypt, of the
Syrian and Cretan art in the XVIIIth dynasty, of the effect of Persia
upon Greece, and of Greece upon Italy (both through Magna Graecia
and the conquest of Greece), of the effect of the Goth, Lombard, and
Northman on Europe, and of Japan on modern Europe. Some reflection on
these great artistic movements will give a little insight as to the
history of art.
Public-domain text, read in full here on John Shaqi.
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