The Arts and Crafts of Older Spain, Volume 1 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 1 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
[125] Throughout this time, the full equipment of the knight consisted
of no less than four complete suits, for tournament or battle, or
for foot or mounted fighting, together with their lances, swords,
and targes. The Alburquerque inventory describes in detail a
complete set ("all of it kept in a box") of war and tourneying
harness belonging to the duke. Although the warriors of that day
were short of stature, their muscular strength is undeniable, for
one of their lances has to be lifted nowadays by several men. When
the author of _Mogreb-El-Acksa_ wrote contemptuously of the
"scrofulous champions tapping on each other's shields," he was
perhaps, forgetful for a moment of this fact.
[126] The Count of Valencia de Don Juan has found, from documents at
Simancas, that in the year 1525 Kollman visited Toledo to measure
Charles for armour. It is also certain, adds the Count, that, in
order to produce this armour of a perfect fit, Kollman first
moulded Charles' limbs in wax, and then transferred the moulds to
lead. In a budget of accounts which coincides with Kollman's visit
to Toledo appears the following item: "Pour trois livres de cire
et de plomb pour faire les patrons que maître Colman, armoyeur,
a fait"--followed by details of the cost.
There is, however, also in this armoury a jousting harness (Plate l.)
formerly the property of Philip the First of Spain, a part of which,
including the cuirass, is known to be of Spanish make. The cuirass in
question bears the mark of a Valencia armourer, and the harness
generally dates from about the year 1500, at which time Gachard tells us
in his _Chroniques Belges_ that Philip was learning to joust "à la mode
d'Espaigne." Besides the enormous helmet and the Spanish-made cuirass,
covered with gold brocade, this ornament includes a tourneying lance
with a blunt three-pointed head,[127] and a curious form of rest, said
by the Count of Valencia de Don Juan to be peculiar to the Spaniards and
Italians. This rest is stuffed with cork, on which, just as the fray
began, the iron extremity of the lance was firmly driven. Another
interesting detail is the _cuja_, fastened to the right side of the
cuirass, and also stuffed with cork, made use of to support the lance
upon its passage over to the rest. Nor in this instance was the _cuja_ a
superfluous device, seeing that the lance is over fifteen feet in
length.
[127] This, in the later Middle Ages, was a favourite form of tourneying
lance.
These are the principal portions of the harness. The seemingly
insufficient protection for the arms is explained by the fact that the
solid wooden shield completely covered the fighter's left arm, while
the right would be defended by the shield-like disc or _arandela_ of the
lance.
Public-domain text, read in full here on John Shaqi.
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