The Arts and Crafts of Older Spain, Volume 1 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 1 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
A typical Moorish casket of this kind (Plate iv.) is now in the
cathedral of Gerona. It measures fifteen inches in length by nine
across, fastens with a finely ornamented band and clasp of bronze, and
is covered with thin silver-gilt plates profusely decorated with a bead
and floral pattern superposed upon a box of non-decaying
wood--possibly larch or cedar. A Cufic inscription along the lower
part of the lid was formerly interpreted as follows:--
"In the name of God. (May) the blessing of God, prosperity and fortune
and perpetual felicity be (destined) for the servant of God, Alhakem,
Emir of the Faithful, because he ordered (this casket) to be made for
Abdul Walid Hischem, heir to the throne of the Muslims. It was finished
by the hands of Hudzen, son of Bothla."
[Illustration: IV
MOORISH CASKET
(_Gerona Cathedral_)]
It is supposed, however, that the part of this inscription which
contains the maker's name was rendered incorrectly by Riaño, who
followed, on this point, Saavedra, Fita, and other archæologists; and
that the casket was made to the order of Djaudar, as a gift to the heir
to the throne, Abulwalid Hischem, the actual workmen being two slaves,
Bedr and Tarif. That is to say, the name Hudzen is now replaced by
Djaudar, whom Dozy mentions in his history of the Mussulman domination
in Spain, and who is known to have been a eunuch high in favour with
Alhakem, Hischem's father. These princes ruled at Cordova in the latter
half of the tenth century and the beginning of the eleventh.
Spanish-Moorish caskets (_arquetas_) of ivory, silver, or inlaid work,
are also preserved in the South Kensington Museum, the Archæological
Museum at Madrid, and the cathedrals of Braga, Tortosa, and Oviedo.
There is no reason to doubt that all these boxes were made in Spain,
although an Eastern and particularly Persian influence is very
noticeable in their scheme of decoration.
Two silver caskets which were once in the church of San Isidoro at León
are now in the Madrid Museum. The smaller and plainer of the two,
elliptical in shape and measuring five inches in length by two inches
and a half in depth, is covered with a leaf and stem device outlined in
black enamel. A Cufic inscription of a private and domestic import, also
picked out with black enamel, runs along the top. The lid is ornamented,
like the body of the box, with leaves and stems surrounded by a Grecian
border, and fastens with a heart-shaped clasp secured by a ring.
Public-domain text, read in full here on John Shaqi.
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