[75] He is called Domingo de Céspedes by Cean Bermudez, although, as Zarco del Valle remarks, the surname does not appear in any of the documents relating to this craftsman which are yet preserved in the archives of Toledo cathedral. These documents merely tell us that Domingo was his Christian name, that his own signature was _Maestre Domingo_, and that he and Fernando Bravo were required to find surety to the value of 375,000 _maravedis_ for the faithful and expert performance of their work, which they were to complete within two years, receiving for it the sum of six thousand ducats. [76] Conde de Cedillo, _Toledo en el Siglo XVI_. Reply to the Count's address, by J. de Dios de la Rada y Delgado. [Illustration: XXIV _REJA_ OF CHAPEL ROYAL (_View from interior. Granada Cathedral_)] Excellent Plateresque _rejas_ are those of the Capilla Mayor and Coro of Palencia Cathedral--the latter from the hand of Gaspar Rodriguez of Segovia, who finished it in 1571 at a cost of 3400 ducats. In the same city is the _reja_ of the chapel of Nuestra Señora la Blanca, finished in 1512 by Juan Relojero, a Palencian, who received for his labour 25,000 _maravedis_ and a load and a half of wheat. The noble and colossal gilt and painted[77] _reja_ of the Chapel Royal of Granada Cathedral was wrought between the years 1518 and 1523 by one Master Bartholomew, whose name is near the keyhole. This was a person of obscure life though mighty powers as a craftsman. We know that he resided at Jaen, and, from a document which still remains,[78] that he petitioned Charles the Fifth for payment (sixteen hundred ducats) of this grille, because the clergy had continually refused to liquidate it. He made, besides the work I herewith describe, the _reja_ of the presbytery for Seville cathedral,[79] and possibly, as Sentenach suggests, the iron tenebrarium, ten feet high by five across, for the cathedral of Jaen. [77] The painting of a _reja_ was commonly executed by the "image-painter" (_pintor de imaginería_). As the term implies, it was this artist's business to gild or colour sacred furniture, such as altars, panels, images, and decorative doors and ceilings. [78] Archives of Simancas. _Descargos de las R.C._; _Legajo 23 prov._ Valladar, _Guía de Granada_ (1st ed.), p. 302, note.