The Arts and Crafts of Older Spain, Volume 1 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 1 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
While speaking of these doors, we should remember that Moorish
craftsmen were employed to decorate or to repair the mosque of Cordova
long after it had been converted to the worship of the Christians. When
he was acting as viceroy in the year 1275, the Infante Don Fernando
confirmed a letter of his father, King Alfonso, remitting tolls and
taxes that would otherwise be leviable upon four Moors who worked in the
cathedral. The Infante's confirmation, after recording that "one (of the
four Moors) is dead and the other blind, in such wise that he can work
no more," consents to the engagement of another two, Famet and Zahec by
name, to fill their places, and who also are hereby exempted from the
payment of all dues. Five years afterwards this privilege was
reconfirmed by King Alfonso, and we are further told on this occasion
that two of the Moorish four were _albañís_, or masons, and the others
_añaiares_, or carpenters. As time progressed, the situation of the
vanquished and humiliated Mussulmans grew more irksome. On October 25th,
1320, the Infante Don Sancho, who had usurped the throne, proclaimed, in
ratification of a letter issued by his father, that all the Moorish
carpenters, masons, sawyers, and other workmen and artificers of Cordova
must work in the cathedral (presumably without a wage) for two days
in every year.[94]
[94] _Libro de las Tablas_, pp. 17, 18. See Madrazo, _Cordova_, pp. 273
_et seq._
[Illustration: XXXVI
BRONZE CRUCIFIX
(_12th Century_)]
In the latter half of the sixteenth century, Bartolomé Morel, a
Sevillano, produced some notable work in bronze.[95] Three objects by
his hand--namely, the choir lectern and the tenebrarium of Seville
cathedral, and the weathercock or _Giraldillo_ which crowns the
celebrated tower of the same enormous temple--are specially
distinguished for their vigour and effectiveness.
[95] In documents which relate to him (see Gestoso's _Dictionary of
Sevillian Artificers_) Morel is often called an _artillero_. His
father, Juan Morel, was also a founder of cannon, and signed a
contract in 1564 to cast two bronze pieces or _tiros_, with the
royal arms on them.
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