The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
The Ordinances of Granada tell us that in 1616 the making of defective
furniture had grown to be a scandal in that town. The cause, it seems,
was partly in the wood itself, proceeding from the Sierra de Segura,
Pinar del Duque, and the Sierra de Gor. "Divers of our carpenters and
joiners cut their walnut and other woods while yet the moon is crescent,
whereby the wood decays and spoils. Others there be that make and sell
chairs, desks, beds, and other furniture of green unseasoned wood which
warps and loosens, insomuch that within some days the article is
worthless. Therefore we order that all walnut wood and other woods for
making furniture be only cut at the time of the waning moon, and be not
used until they shall have seasoned thoroughly, so as not to warp; and
that they be approved by the inspectors of this trade, under a penalty
of six thousand _maravedis_ for each of the aforesaid Ordinances that be
not complied with."
[Illustration: IX
DOOR OF THE HALL OF THE ABENCERRAJES
(_Alhambra, Granada_)]
The municipal laws of the same city relative to the "chair-makers who
make hip-chairs to sit in, and leather-covered chests," were cried, in
1515 and 1536, "in the street of the chairmakers and carpenters."
Fettered by irksome regulations of this kind, we cannot wonder that the
arts and crafts of Christian Spain were fated to decline.[20] Owing
to the "false and faulty workmanship" prevailing in Granada, it is
provided by these statutes that the wood employed in making chairs must
be bought by the manufacturers in public auction only, held "in the
little square where dwell the chairmakers." It must be thoroughly dry
and free from flaws, and of sufficient stoutness to sustain the
decorative marquetry. The chair which lacks these requisite conditions
must be seized and burnt. The four nails which fasten the seat of the
chair to the legs must traverse the frame completely and be hammered
back upon the other side, unless the surface of the chair be inlaid, in
which case they need not pass completely through. The leather for the
seats and backs of chairs must be good in quality and well prepared and
dressed, besides being strongly sewn with flaxen thread. Chairs of all
sizes must bear the official city mark, stamped by the authorities at a
charge of one _maravedi_ for each of the large chairs and a _blanca_ for
each of the small.
Public-domain text, read in full here on John Shaqi.
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