The Arts and Crafts of Older Spain, Volume 2 (of 3) — John Shaqi
The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
In this account we clearly trace each various and successive influence
that had permeated older Spain, leaving her, at the close of every
period, a nation that produced illustrious artists, but never a nation
deeply versed in, or devoted to, the arts. The beds and brasiers of
these modern Spaniards were derived from ancient Rome; their general
dearth of comfortable furniture, together with the lower, and therefore
more humiliating, seats for women, from the Spanish Moors; the typically
ponderous hangings from mediæval Spain herself; the fresco
wall-paintings, such as may still be seen in many a Spanish country
home, from classic or Renaissance Italy; and the finicking gilt, rococo
cornucopias from France; while the use of mirrors and of lustres in
hideous combination with straw-bottomed chairs, almost reminds us of the
days of Visigothic barbarism.
LEATHER
_Guadamacilería_, or the art of decorating leather with painting,
gilding, and impressions in relief, is commonly believed to have crossed
from Africa to Spain at some time in the Middle Ages. According to
Duveyrier, the word _guadamecí_ or _guadamecil_ is taken from Ghadames,
a town in Barbary where the craft was practised long ago; but
Covarrubias gives it an origin directly Spanish, supposing that the
title and the craft alike proceeded from a certain town of Andalusia.
However this may be, the preparation of these leathers grew to be a most
important industry in various parts of Spain, and spread, as time went
on, to Italy, France, and other European countries.[24]
[24] "Spain lays claim to the invention of the art of gilding leather;
it is asserted that, after being discovered there, the secret was
carried to Naples by Peter Paul Majorano."--Laborde, vol. v.,
p. 231.
In the Peninsula, the principal centres of this work were Cordova,
Seville, Lerida, Barcelona, Ciudad Real, and Valladolid. Cordova,
however, was so far ahead of all the rest that leathers decorated in
this style were known throughout the world as _cueros de Córdoba_, or
"Cordova leathers." Another name for them is said to have been
_cordobanes_; but possibly the application of this latter word was less
restricted. Bertaut de Rouen wrote in the seventeenth century of Ciudad
Real:--"C'est une ville située dans une grande plaine, et dont
l'enceinte est assez grande, qui estoit mesme fort peuplée autrefois,
mais elle est quasi deserte à present. Il ne luy reste plus rien sinon
que c'est là où l'on appreste le mieux les peaux de _Cordouan_, dont on
fait les gans d'Espagne. C'est delà aussi d'où elles viennent pour la
pluspart à Madrid. J'en achetay quelques-unes."
[Illustration: XIV
DOOR OF THE CAPILLA DE LOS VARGAS
(_Madrid_)]
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