The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
"_Con vuestro consejo bastir quiero dos archas.
Incamosla d'arena, cá bien serán pesadas,
Cubiertas de guadamecí é bien enclavadas;
Los guadamecís bermeios é los clavos bien dorados._"
Nevertheless, the "coffer of the Cid" at Burgos (see p. 12) does
not appear to have been thus fitted.
[28] The same usage obtained in Morocco. Lancelot Addison wrote in 1669
that on the first day of their "Little Feast" the Moors across the
Strait "spread the floor of their Giammas with coloured
leather."--_West Barbary_, p. 213.
[29] An inventory of effects belonging to the Hospital of San José at
Jerez de la Frontera mentions, in 1589, "clothes and trimmings for
the image of Our Lady. A crown of gilded _guadamecí_."--Gestoso,
_Diccionario de Artífices Sevillanos_, vol. i., p. xxii, _note_.
[30] A hall, says Ramírez de Arellano, would often be embellished by
surrounding it with arches wrought of leather in relief and
superposed on leather. As a rule the arches were gilt and silvered,
and rested upon pilasters or columns. When pilasters were used,
their centres would be ornamented with Italian devices such as
flowers, trophies, imitated cameos, and foliage. Landscapes with a
far horizon and no figures, known as _boscaje_ or _pintura verde_
were painted on the space between the arches, so that the general
effect was that of a pavilion with arches on all sides, displaying
everywhere a wide expanse of fertile country. The arches rested on
a broad bordering of _guadamecíes_, and running round the lower
part was a _zócalo_ or socle, commonly made of tiling.
Such is the kind of decoration which was most in vogue in Spain
throughout the latter half of the sixteenth century; that which was
exported to Rome; and that which was commissioned by the Duke of Arcos.
CARPENTRY AND WOOD-CARVING
The artistic carpentry of older Spain produced as its most typical and
striking monuments, three groups of objects which may be included
generally under Furniture. These are the _celosía_ or window-lattice,
the door of _lazo_-work, and the _artesonado_-ceiling which adorns a
hall or chamber, corridor or staircase.
[Illustration: XVIII
CARVED _ZAPATAS_
(_Casa de Salinas, Salamanca_)]
Public-domain text, read in full here on John Shaqi.
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