The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
The mighty doors of the "Hall of Ambassadors," in the mediæval royal
residence of Seville (Plates xi. and xii.), are quite the finest to be
seen in Spain. Although a widespread superstition assigns their
manufacture to a period close upon the Moorish conquest, it has been
proved conclusively that they were made by Mudejar craftsmen of Toledo
at the time when the whole Alcázar was erected more or less upon the
ruins of the old, by Pedro the First of Castile, denominated, according
to the prejudice with which we view his character, "the Cruel," or
"the Just."[44]
[44] The following words record the date of the construction of this
place and its doors, and may be read (Plate xiii.) upon the scroll
of tiles or _alizares_ crowning the principal façade:--
[cross] EL ¦ MUY ¦ ALTO ¦ ET ¦ MUY ¦ NOBLE ¦ ET ¦ MUY ¦
PODEROSO ¦ ET ¦ MUY ¦ CONQUERIDOR ¦ DON ¦ PEDRO ¦ POR ¦
LA ¦ GRACIA ¦ DE ¦ DIOS ¦ REY ¦ DE ¦ CASTIELLA ¦ ET ¦
DE ¦ LEON ¦ MANDÓ ¦ FACER ¦ ESTOS ¦ ALCÁZARES ¦ ET ¦
ESTOS ¦ PALACIOS ¦ ET ¦ ESTAS ¦ PORTADAS ¦ QUE ¦ FUÉ ¦
FECHO ¦ EN ¦ LA ¦ ERA ¦ DE ¦ MILL ¦ ET ¦ QUATROÇIENTOS ¦
Y ¦ DOS ¦
The observant Swinburne was not misled, like many travellers of to-day,
into believing the Alcázar to be of purely Moorish origin. "Having read
that the Moors built one part of this palace, I concluded I was admiring
something as old as the Mahometan kings of Seville; but upon closer
examination was not a little surprised to find _lions_, _castles_, and
other armorial ensigns of Castille and Leon, interwoven with Arabesque
foliages; and still more so, to see in large Gothic characters, an
inscription informing me that these edifices were built in the
fourteenth century, by the most mighty king of Castille and Leon, Don
Pedro."
These doors, which under a pretence of restoration have been mutilated
more than once, are made of larch, and measure sixteen feet in height by
thirteen feet (including both the leaves) in width. The upper part of
either leaf consists of geometrical and floral ornament in exquisitely
tasteful combination, executed in the scheme known technically, from the
angles at the central polygon, as _lazo de á doce_--"_lazo_-work of
twelve." The decoration of the lower part is more minute, and in the
scheme of _lazo de á diez_--"_lazo_-work of ten." Inscriptions in Arabic
and Latin, many of which are quoted from the Psalms, are distributed on
both sides of the woodwork, and confirm our other evidence that the
doors were made during the reign and in obedience to the orders, of Don
Pedro.
Public-domain text, read in full here on John Shaqi.
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