The Arts and Crafts of Older Spain, Volume 3 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 3 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
In the eighteenth century, when better sense prevailed among the
statesmen and economists of Spain, the greedy and corrupt administration
of her guilds began to be awarded greater notice. Among the enlightened
and progressive Spaniards who outspoke their minds upon this theme, were
Florez Estrada and the Count of Campomanes. These, among others of less
mark, saw and proclaimed that the harm inflicted by the _gremios_ in
some directions was incalculable, while the good they were supposed to
bring about in others was rather nominal than real.[80] Apart, however,
from the judgment uttered by these two authorities, men of acknowledged
probity and consequence who held the public ear, as well as by the
patriotic Jovellanos in his spirited appeal in favour of the _libre
ejercicio de las artes_, a number of causes, such as the propagation of
the principles of individual liberty by the French Revolution,
contributed to give the _gremios_ an archaic air, and finally to bring
about their downfall. The views concerning them which gradually filled
the popular mind, prior to their extinction as an act of government in
the year 1834,[81] are well expressed by Townsend. "In all the trading
companies or _gremios_," wrote this traveller, "religious fraternities
are formed, some incorporated by royal authority and letters patent,
others by connivance of the crown, but both in violation of the laws.
[80] The object avowedly pursued by Campomanes was not, however, the
absolute suppression of the Spanish trade-guilds, but merely their
reconstruction upon a sounder basis. He still believed that
admission to a guild should be preceded by a formal period of
apprenticeship, as well as that the title and the privileges of the
master of a trade should be hereditary. An instance of the grossly
fraudulent methods employed by the _gremios_ in order to retain the
privilege of manufacture in a certain family, is quoted by Larruga
(_Memorias_, Vol. II., p. 201), who states that the silk-cord
makers of Madrid conferred the title of _master-craftsman_ on a
babe only twenty-two months old.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account